Related Recs

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Aguirre, the Wrath of God

I’ll watch anything by Werner Herzog and his documentaries are especially great. But this feature starring Klaus Kinski is my favorite thing he’s ever made, and one of my favorite movies period. Like most Herzog the whole project is seriously demented and there’s an *Apocalypse-Now-*like doubling thing going on, where the making of the film was almost as insane as the story he was dramatizing. I just saw Herzog has a new memoir out called Every Man for Himself and God Against All. I mean come on, I can’t wait to read that.

@will-welch

Feb 27, 2024

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The baader-meinhof complex

Just watched it for a class. Thought it was good but the score was terrible— really schlocky mid-2000s dramatic orchestration action movie fodder. It also felt five million hours long. I like Bruno Ganz very much and I like that he is in every German movie ever made.

@nico_

Feb 21, 2025

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Movie Review: The Zone of interest

The countless atrocities committed by the Nazis have been well-documented in the media, but I can’t recall having ever seen a movie that opted to focus on the cold banality of the lives of the Germans who were actively engaged in or complicit with such incredible cruelty. Filmmaker Jonathan Glazer (Under the Skin), inspired by Martin Amis’ novel, has decided to tap into this underexplored area, and the chilling result will haunt viewers for days. Focusing on Auschwitz commandant Rudolf Höss (Christian Freidel) and his wife Hedwig (Sandra Hüller, both perfectly cast), who are raising their family in a well-appointed home directly adjacent to the camp, we watch them go about their relatively mundane existences. They live better than many of their fellow Germans and have local girls working as servants to help keep up the house, but otherwise much of their time is spent tending to trivial day-to-day tasks, aside from the odd bit of Nazi business that Rudolf attends to from his home office. Nothing here is truly normal however, a point made very clear shortly into the film when the camera changes its view of the family’s yard to expose the guard tower just on the other side of the brick wall that abuts the property. Given the proximity to the notorious camp, its noises permeate every aspect of the family’s lives. The low hum of the furnaces is ever-present, punctuated by screams and gunshots. Frequently trains can be heard bringing more prisoners, puffs of steam appearing over the tree line. Somehow, the Höss’ and their children go about their day as if they don’t even notice it. To celebrate one of the children’s birthdays, Hedwig’s mother comes to stay. Initially impressed by the large, well-maintained home and garden, she casually wonders aloud if a Jewish neighbor might be imprisoned next door, complaining that she lost her chance to claim her curtains. As the pair sit on the patio and sounds from the camp impose themselves, she turns to glance at the wall, at least a little discomfited. At night, the sounds of suffering disturb her sleep and she looks out the window, only to see ash and bright flames erupting from a smokestack. She leaves the following morning. While the atrocities next door are felt throughout almost the entire movie, we never see them. Everything is instead conveyed through Johnnie Burn’s meticulous sound design and the effect is powerful, especially in contrast to the mundanity of everything shown. Cinematographer Łukasz Żal’s striking staging avoids overly prettifying the home while still maintaining a painterly artfulness, often using static, embedded cameras to give the proceedings the sort of voyeuristic feel of reality shows like Big Brother. A movie may not be the best place to figure out exactly how people can react so blithely to such large-scale inhumanity, so Glazer doesn’t really try to do so. It is enough however to be reminded that the behavior is not only something that we as a species are capable of, but that it is necessary for such evil to be enacted. Hopefully the reminder will help to prevent it from happening again. ★★★★★ RATED PG-13 FOR THEMATIC MATERIAL, SOME SUGGESTIVE MATERIAL, AND SMOKING.

@seanf

Feb 21, 2024

Top Recs from @michael-m.

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ROXY CINEMA TRIBECA

Is this currently my favorite movie theater in NYC because they premiered my new film and hosted a complete retrospective of my work? Duh! But it’s deeper than that. Two years ago I was convinced the arthouse theatrical experience was doomed and that the future was ramshackle cine-clubs for a handful of scorched psychos. Turns out I was wrong. Things are back to normal and on any given night now there’s a surplus of amazing programming all across the city again. The biggest plot twist, though, was the rise of this posh, art deco, single screen theater beneath a fancy hotel in the heart of Tribeca as the new epicenter for contemporary indie cinema. While other venues floundered at first, the Roxy reopened with a bang, finally giving a theatrical run to Eugene Kotlyarenko’s Spree (which never got a proper theatrical release due to covid). Next thing I knew they gave Project Space 13 a run there too, despite not having played any festivals or any of that shit… and it was selling out! They’re doing the same for Betsey Brown’s Actors right now, which keeps getting extended. It’s been a while since I’ve seen a theater tap in this hard. Recent events with Abel Ferrara, the Ion Pack, Alex Ross Perry, and more have been unforgettable. Seeing ASAP Rocky hop on stage to freestyle with Abel after the Siberia premiere is one of my all time fondest memories there. It’s tight being able to see new films like The Scary of Sixty-First, Zola, or El Planeta balanced perfectly with rep fare like Screen Slate’s Bad Habits nun series and Sean Price Williams and Nick Pinkerton’s monthly ‘City Dudes.’ Head programmer Illyse Singer and her cohort Mitchell are heroes. Bonus points for being walking distance to the best new record store in town, Paradise of Replica.

@michael-m.

Apr 7, 2022

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HANGMAN’S ELM

It’s not just the most GOATED tree in Washington Square Park, it’s the single oldest tree in all of Manhattan! For over 300 years it’s been posted up on the corner of Waverly Place and MacDougal Street in the northwest region of the park. On any given morning, afternoon, or evening you can find throngs of wack jobs enthusiastically ingesting every type of narcotic while acting shady af around it. When the city was in lockdown I’d have all my “important” meetings there. The bulk of Project Space 13’s pre-production was hatched out under its shade. In the last few years alone it’s been privy to crazy all night raves, historic protests, Van Damme level fight clubs, and bizarro performances (from every end of the spectrum). The most outré shit you can think of is just another day at the office for this towering Ulmus procera. It even beat the murder allegations! People love to claim it was used for hangings in the American Revolution, but there’s little to no evidence supporting this. There’s no plaque or anything drawing attention to it either. Salute this OG tree when you see it.

@michael-m.

Apr 7, 2022

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SOLOWHEEL CREWS

Shout out to everyone racing around on electric unicycles, drinking bubble tea (or White Claw), yapping into selfie sticks, blasting un-Shazamable dubstep, and weaving through oncoming traffic. While face masks and plywood dining shacks have completely altered the contemporary urban landscape, this scene’s the cherry on top in our journey (descent?) into some kinda cyberpunk meets Burning Man future. I never thought vape pens or Bluetooth headsets would catch on because they looked so ridiculous and shamelessly sci-fi… But they did. Don’t wanna be wrong side of history again, so I’m all in on the e-scooter renaissance!

@michael-m.

Apr 7, 2022