I'd been hearing about THE RED SHOES for years and never got round to watching it - the picture of Moira Shearer staring, wild-eyed, and so intense, at the camera was captivating and it was always on my radar for that reason. Finally, towards the end of last year, I watched it, and JESUS. It is without doubt one of the best films I have ever seen. Despite being shot in the 40s, it feels so contemporary - the colour, the camera movement - and you can feel its DNA all over so many of the films that came after it. It's also the reason Martin Scorsese wanted to be a filmmaker - he was obsessed by it as a nine year old; it's why he uses red so much. It is, unquestionably, required viewing. It also really disturbs the idea that British cinema is all kitchen sink realism. I love the vision, the ambition. As a British filmmaker myself, I love that this makes me feel seen in our cinematic history.