Michael Mann’s 2015 foray into the cyberthriller subgenre is kind of a complete mess, but I couldn’t look away. It’s maybe his most maligned movie (he hasn’t made one since) and to be fair the acting isn’t great, but it’s visually stunning even by Mann’s standards and is incredibly emotional and gripping for a movie about computers and cops and the stock market. A totally enthralling meditation on alienation and placelessness where all the settings and places feel alarmingly immediate and tactile.