I don’t personally know Alissa Bennett, but I think she is a brilliant and funny person who has clearly lived a vibrant life. A friend of mine once said about himself, “I’m not a journalist; I just live this shit.” I think this mantra (with the tweak, “I’m just really interested in this shit”) applies to Bennett’s writing and various projects — from her burner IG @regret_counter and podcast, to the next-level zines she publishes. Those zines though, wow! The writing is so intimate, confident, and, well, perfectly imperfect (sorry, sorry…).I like that every other paragraph has a typo, that she will frequently and flagrantly use cap-locks, and that she essentially unpacks the indiscretions of fringe tabloid figures in order to exhume her own demons and make sense of her past and present. It’s got a very “warts and all” vibe, and I respect that she’s willing to air her own dirty laundry in service of establishing a spiritual connection to the subjects of her texts. That’s not to say she goes easy on them, but it all feels empathetic instead of exploitative or solipsistic. Rarely do I audibly laugh while reading, but Bennett’s work consistently makes me LOL. Generally, I prefer when people write the way they talk. Her essays feel like the coolest girl at the bar is whispering (and occasionally shouting) a very good story directly in your ear, but she also doesn’t really care whether you like the story or not. She already knows it’s good.Start with “Bad Behavior,” which is a series of essays/love letters to various semi-public figures who engaged in specific, scandalous acts. Then hit “Pretend You’re Actually Alive.” Most of the zines are sold out, but I’m sure she’d send you a PDF if you ask nicely. There’s also a new one on the way.