This record “I Am The River, The River is Me” is the best protest music I’ve heard in forever, in that it’s just so goddamn human. with all the hurt and searching and sex that entails. But while addressing climate change, liberation of indigenous peoples, and more. amazing songs. Exactly what I needed this year.
Dec 20, 2023

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It’s the instruments and sounds that does it. It sounds apocalyptic. Lots of BOOM CRASH and deep hums. Hums so deep and visceral that you start to wonder if this is what Gabriel’s horn would sound like if it were Judgement Day. It’s loud and continues to get louder and louder until you start to feel claustrophobic. Your heart starts racing and maybe you sweat a little bit. Then it manages to reach the deepest parts of your heart and you start to empathize with Joy. This must be how Joy feels being made to live with the fact that she will probably never experience a life of self-expression, vulnerability, and contentment. Her essence sucked out of her. A woman named Joy who never experienced joy in all her 30 years of living–how ironic. At the end, it’s got you looking up at the hollow sky, feeling disconnected and disillusioned, too.
Apr 26, 2024
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It's haunting and melancholy but very passionately performed. If you like Christine and the Queens, Holly Humberstone, or Holly Herndon for that matter, you'll dig this probably (but put through a Celtic filter). Came out in April and I keep returning to it. Especially "Life of the Forbidden," "Wee Rosebud," "Into This, Called Lonliness," and the closing track "S.O.S. Song of the Sword" is VERY on the Kate Bush tip.
Jul 12, 2024
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There’s a limited selection of poets that can move me to tears without even reading through their stanzas but allowing the recollection of their words to pass over my mind — the aforementioned Bachmann is one of the real ones, T.S. Eliot is another; Elizabeth Barrett Browning, on occasion; sometimes-too Hölderlin, Herbert, Hadewijch; at least one Donne piece has this power, at least one Brecht; perhaps-too I would add cuttings of Young’s Literal Translation of the Holy Bible — contemporarily, the lines of Paris Reid, an absolutely gorgeous young Canadian I discovered several years ago (her first published prose piece can be found in the most recent Heavy Traffic) certainly effect this movement upon me time and again … who else? — well,  the only other living writer to fall on this list, and quite honestly my most exalted favourite of all-above, should be obvious to anyone who knows me … yes, yes, of course: singer slash poet slash emotional-genius Lana del Rey, my personal saint and hero … truly, her words either brought to sound or put to page surpass the Scripture to me and this I would not say if I did not mean it violently. She has held aloft my life: she is probably the third factor to my continuance. You know — as I type this — I can hear the lyrics to Venice Bitch, perhaps the greatest lyrical song ever written (though a strong case could too be made for Video Games!) echoing within and my vision swims — so overcome with emotion am I! Good God. My friends, it’s unbelievable. And everything she does is fantastic, of course, but lately I have been really been spiralling about in her demos and bootlegs and regional exclusives dating around the release of Ultraviolence, her third studio album. Pray listen; I’ll leave you with this. Say Yes To Heaven: breaks my heart. Fine China: breaks my heart. I Talk to Jesus: well, you know, onward and onward, from here to eternity…
May 10, 2023

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