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i just got the teenage engineering ep 133 ko ii (whew, what a mouthful.) i don’t yet know all the functions but ive had a blast making a few beats with my limited knowledge. i love the fact that there seems to be no eq—your samples are as they come, with the exception of pitch and amplitude. in the world of DAWs i feel like i am sometimes overwhelmed by options (this sound would be better if i Eq’d it. or maybe the transient has too much attack. or i think it needs to be sidechained to blah blah blah etc). of course these capabilities are incredibly useful, but when making music i feel like you can make a banger with really simple stuff. with the ko ii i just play the audio directly into the machine, sample it where i want it, and play the chops. then i play the drums in by hand. and that’s it and it sounds fucking great
Jan 31, 2024
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🙅I’ve grown so fucking sick of DAWs and computers— yes I know what’s great about them. After 20 years of sitting in front of a computer to record music, I’ve decided to go back to my roots. Making music without the rancid glow of a massive screen, without Safari lurking in the dock, without the gnarly centerpiece energy of a huge Apple product, has been liberating. I’m done with Tetrissing ideas, done frame fucking waveforms, done dragging 1s and 0s with a mouse. So now I’m focused on making sequences on the MPC one, building my own kits, and sampling audio from an array of synths or records or life— and it all goes stereo-out into the Tascam 446 that Beardo gave me. The vulnerability & humanity I’m interested in experiencing through music gets watered down by the digital horseshit we readily accept as software convenience.
May 30, 2023
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🙅I’ve grown so fucking sick of DAWs and computers— yes I know what’s great about them. After 20 years of sitting in front of a computer to record music, I’ve decided to go back to my roots. Making music without the rancid glow of a massive screen, without Safari lurking in the dock, without the gnarly centerpiece energy of a huge Apple product, has been liberating. I’m done with Tetrissing ideas, done frame fucking waveforms, done dragging 1s and 0s with a mouse. So now I’m focused on making sequences on the MPC one, building my own kits, and sampling audio from an array of synths or records or life— and it all goes stereo-out into the Tascam 446 that Beardo gave me. The vulnerability & humanity I’m interested in experiencing through music gets watered down by the digital horseshit we readily accept as software convenience.
May 30, 2023
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🎹downloaded Mpc beats and have been toiling away at making ‘music’ for a couple of hours. I have no idea what I’m doing it’s like the swampy equivalent of when you see a piano and just jam around on the keys for a bit. No talent no Shame. Just having a hell of a time stringing noises together in a way they should never be strung
Mar 3, 2024
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🫒what a delightful treat. at least doubles the quality of whatever you are going to use it for
Feb 4, 2024
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sometimes the knobs get all messed up, ya know
Feb 4, 2024
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today is têt (lunar new year) so my mom made pho. i almost finished it before remembering to take a picture but goddamn. if your mom came here from somewhere else i just know she can throw tf down in the kitchen
Feb 10, 2024