As someone who was unmoved by Daddy but enamoured with The Iceman, I was unsure of what to expect when I cracked open Cline’s latest novel, The Guest. Revered as the Play It As It Lays of Gen Z sex work, Uncut Gems for chicks and the “book of the summer,” the novel tells the story of a twenty-two year old named Alex who is ousted by her sugar daddy in the Hamptons and determined to drift her way through the island until Labour Day. A stressful read in which an unreliable protagonist makes nothing but bad decisions, the sentences are clean and the plot grows tense with every page.
Most piercing, however, is the precision to which Cline illustrates how whiteness and its perceived docility can permeate the gates of wealth and class at ease. Chapter by chapter, constructed episodically so the rising action mirrors the high (and inevitable crash) of a drug, we read as Alex flattens herself to become fluid, to leech, to exploit. Cline's understanding of how these spaces function, and how the right (or white) wallflower can encroach on a territory that is not theirs, undetected, is acute. As a result, Alex's powers of manipulation come not from an aptitude for obscuring her identity. It's quite the opposite. Instead of a disguise, she offers herself - a blank canvas of a girl - and allows her surrounding environment to assume how she might fit in their world. Upon completion, I thought of a new comparison: Parasite amoungst the privileged.