I was taken by this piece at Franck Elbaz at the opening of "Host" last night. I began a piece a couple nights ago, on a large swath of unprimed canvas that I taped to my wall. After sketching on it, out of classic Zahra impatience, I began on it in passionate oil pastel sticks and then reprimanded myself for not waiting to gesso it. But then I would miss the skin-feel of the fabric... After seeing this painting below, I decided to let the laws go to shit and just make a grand fucking mess, and let it do the one thing it should do: sing to me.
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Feb 4, 2024

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I have many complex feelings around painting people, relationships, friends, situationships ect. I’m recently working on a piece related to a recent break up and feel strange about showing it because I don’t want him to think I’m obsessed or dwelling or creepy but fuck it! I don’t care let me process and express and if you think painting someone’s face without their permission is immoral! Well cheating on someone is also quite immoral. Anyway here’s my new piece I have started (not finished) “Beautiful losers” You love only when it’s a reflection of yourself.making me a mirror you can romanticise. he couldn’t tell me anything about me, just how I made HIM feel.
Jan 24, 2025

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I have always believed that any relationship is more about yourself than others because you are nothing, you are not, without your relationships. Usually, it is a mix of time and self-discovery that leads to forgiveness and having difficult or emotionally tiring conversations with people. I don't know why sometimes things end up messy and I catch onto shared feelings, usually a cachéd behavior and lack of communication. The last time I experienced forgiveness was when after much distance, I finally called A*****. It was poignant for me because it signalled self-forgiveness as well as more of an internal moving on for me, from my hurt and acceptance that some things would not be understood on her part and I had to take that. Last night, me and the friend in question right now, chatted along the Canal St. Martin and I sobbed uncontrollably. Life is really a piece of work sometimes. Forgiveness and generosity are the hardest things to do, and I admire the people in my life who have shown me how to accomplish even a little amount of both these.
Feb 6, 2024
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I loved the exhibition which presented Madame Grès and Azzedine Alaïa's pieces in conversation. This bit of the exhibition text struck a note: "When you find something that is personal and unique," said Madame Gres, "you must make the fullest possible use of it, pursuing its realisation wichout stopping until the end." Alaia echoed her words years later: "When an idea comes into your mind, you must capture it with a lasso and circle around it relentlessly." I liked how they saw couture as sculpture and I wondered if I should experiment with the sewing machine next. Something I am already considering. The place itself was small but lovely, with one of the most beautifu, cosy and quiet terrasses I have seen in a while, and well populated only by fashionable folks. Something similar to something I should open in Karachi, with artist studios upstairs perhaps. Grès' photographs of her dresses worn also touched me. I wonder how much of capturing imagination is image creation, and if this is a sign I should start experimenting with film now that I have an array of lenses from M. Chacha. Grès' story was also remarkable to me because of her true love for creation and art, and how she just opened a storefront and did not follow fashion week calenders. I wonder if I should too, just buy a storefront here and start my own thing, like Nazish and I were discussing on Saturday evening.
Mar 11, 2024