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Very fantastic and delicious pop album. I revisit it every couple of years when inevitably one of the many bops gets stuck in my head and I’m never disappointed. it’s always a fun time. Mind you- Ariana was 19 when the album was released
Feb 11, 2024

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the way i could write a world-changing 33 1/3 about this album!!! oh my goodness. (this is the kind of album you write after achieving meteoric pop success if you are a serious person, in case any inescapably famous singer-songwriters are taking notes.) but for real -- this album is at once a perfectly-preserved late 90s time capsule (neurotic, stylish, a hint of a sneer, but real hope underwriting it all) and also secretly about us, right now, in the year of our lord 2024. it's fierce and smart and darkly hilarious. it's about going to therapy and getting your dad to go to therapy, and then feeling weird imagining the kind of dark shit your dad must be working through in therapy. it’s about trying to search for the divine while watching a bunch of idiot rich people get influenced into paying $2000 for like past life regression readings or whatever and feeling weird about the idea that they’re searching for the same divine you are, because if they’re looking for it too then it can’t possibly be the real thing, can it? it’s about being the bright young thing who wrote jagged little pill and suddenly finding all of your interpersonal relationships totally unworkable because everybody is too blinded by the brightness of the young thing who wrote jagged little pill to let you also be a human being. it’s about feeling so old already at 24 and looking back on your teenage self at a tender distance as if those days were a lifetime ago, as if you’re actually any wiser now. it’s about wondering if anything you will ever do is ever, ever going to be good enough. alanis’s lyrics here are biting and precocious and the songs are just so chatty (witness “front row” in which she layers four entire extra verses behind the chorus, effectively writing a whole bonus song because the situation is just too complicated to explain in four minutes) and they’re talking about all the same things we talk about now, in the same way we talk about them now, except without all the self-serious posturing so many of our contemporary songwriters fall prey to. (“the couch” is somehow both the most earnest and the least corny song anybody has ever written about therapy.) i know this album must have hit properly when it came out because it was the only thing my mom played in our house for the entire calendar year of 1999, but it feels so preternaturally tailor-made for the moment we’re in now that i can’t believe it hasn’t had one of those improbable tiktok renaissances or whatever that seem to keep happening. highly recommend a revisit or a first acquaintance if you haven’t made one.
Feb 6, 2024
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good god if you can’t hear the last ten years of pop music blossoming so perfectly by her will. my ipod hated to see me coming for the digital drop. i do think the pop auteur thing continues to be such a wonderful look on her - she made the most perfect collection of contemporary pop music videos ever and now everything feels comparatively postmodern. and of course there’s lemonade... which i know fewer of you have watched than i’d care to admit. please go do that! it’s a totally different form, excellent in a distinct and singular way. alas. here lie the hits! a whole other language and one she breathes so effortlessly. do you have this in your itunes library? do you have history with this record?
Jan 18, 2025
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no notes literally could not be more excited for her and brat (should’ve been aoty) but it’s always bittersweet when an artist you love blows up like that and their very intense impact on one group of ppl is stood up next to new fans/the general public’s opinion. it’s exciting but it’s sort of awkward. i dont think we can explain what music means to us. whatever pop 2 rlly is so f*cking fun and cool
Feb 10, 2025

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Let the choir sing in rejoice, Joni Mitchell is back on Spotify folks. And while some music heads might be tripping over themselves to stream the legendaric Blue 1971 album, you can catch me at the sonic jazz bar that is Both Sides Now. You might be familiar with this re-recorded track and album from the iconic Emma Thompson scene in 2001’s Christmas cult classic Love Actually but this album is so much more. If you’re a jazz enjoyer, or maybe not so into Americana folk, and wanna know what all the Joni-craze is about: this is the album for you. I recommend listening no earlier than dusk and maybe after a little bit of a hard day.
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