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Who needs to pay actual money for a real board when you can just make a worse one yourself?! After years of being laughed at for caring a tote full of loose pedals to gigs, I finally decided to just make one using a Ouija board, some heavy duty velcro and lots of electrical tape. Now I can be laughed at for this instead!
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Feb 16, 2024

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I recently plugged in this Mythical Overdrive, one of my favorite pedals, and heard nothing but a sharp hiss. These Mythical Overdrives are all made by hand and built by their creator, he currently doesn’t offer a repair service. From what I understand these Klon style circuits are pretty simple but I opened the pedal and found an impressive array of transistors, resistors, and parts I can’t begin to understand. I want to become competent enough to repair these kinds of circuits that I rely on so heavily so I’m beginning a soldering and pedal repair journey. Beyond music, I think it’s important to understand the tools you use well enough to repair them. I’ll document it here, cheers PI.
1d ago
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For my dollar I will almost always prefer used music gear over new. Not only can you typically find something much nicer for the same price as a new instrument, but it’s a super cool feeling to pick up and play something that has stories to tell. Cigarette smoke stained plastic, dings and scratches from a previous life on the road, fret wear from channeling someone else’s creativity in a past life. It’s rad to feel like you’re just the latest steward of something that has had a long life before you! (for the nerds: I seek out cheap Japan-made Fenders, the J-bass is a ’99, Bullet is an ‘83 that I modded with Porter S90 pickups, the Peavey 2x12 is from ‘94. Everything in this pic together cost me like $800 excluding the pedals and case)
Feb 21, 2025

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is gig etiquette dead? Don’t go to a gig if you wanna just talk to your mates! go to a pub it’s what they’re for!
Dec 8, 2024