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this became my bar for stand-up after i saw it, which is so deeply unfair to other stand-up comics
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a weekly comedy night of all up and coming comics, would recommend if you want to go see some new faces
Mar 7, 2024
I was always intrigued by Conner O'Malley's brand of humor, but it didn't quite click until this hour-long special. It's really something to behold.
Aug 28, 2024
Your 90% figure is something I use to describe how much art media is basically not good – tv, movies, music, etc. But the particularity of standup as an art form – the bizarre mutual expectation of a specific response (laughter) – means that it can “fail” more obviously. Mediocre music can be shrugged off, and pretty easily tolerated by most; it doesn’t come with the same expectations. But when someone’s jokes don't land, it immediately lays bare a devastating rift between performer and audience.
Most people just want to laugh, though, and they’re ok with laughing at anything that purports to be funny. You make a joke about the difference between men and women, I laugh, everyone goes home happy. So there’s a lot of trash that ends up getting elevated because it’s “good” enough to fulfill this social contract for enough people.
But there’s always good stuff out there!
I’ll 4th Chris Fleming and throw in Conner O’Malleys recent special.
Sorry but they both yell, lol.
If you want a very different, bizarre, highly personal, often uncomfortable, avant-garde, and of course, funny rec: Natalie Palamides’s Nate: A One Man Show which was out on Netflix a few years ago.
Jun 21, 2024
Top Recs from @alaiyo
Mar 23, 2024
a treatise on the attention economy - checked it out on libby and got through it over the course of a work day, a lot of really interesting social and cultural explorations about how time itself is the final frontier of hypercapitalism and what decommodification of our attention and time should look like
the book starts with a story about the oldest redwood tree in oakland and how the only reason it’s still standing is bc it’s unmillable, and how being uncommercializable is essential to our survival. it ends with an exploration of alt social media platforms (mostly p2p ones) and what keeping the good parts of the social internet and rejecting the bad ones should look like
all in all a super valuable read; my only nitpick with the book is that odell isn’t just charting the attention economy but also attempting to “solve” it and relate it back to broader concepts about labor and social organizing, but her background is in the arts which leads to some really wonderful references to drive the points home while also missing some critical racial + socioeconomic analyses that one would expect (or at least really appreciate) from the book she promises to deliver in the introduction. but this does also make the book easier to read which is good because everyone should definitely engage with what she has to say
will definitely be revisiting
Mar 25, 2024