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With the Netflix series coming out, I can't recommend the book trilogy enough. It's the approachable sort of hard sci-fi that delves into complicated concepts without getting too deeply into the weeds. Everything is really well set up and explained, and like all the best trilogies, every book in the series gets better than the one that came before. It was also written by a Chinese author (Cixin Liu) in the early 2000s, so it offers a unique perspective and gives you a glimpse into how someone from a country like China (the world's second largest economy, but with dramatically different economic/political processes and historical/cultural development than the US or Europe) views the realities of the present and the possibilities of the future (spoiler: its way more optimistic than a lot of Western authors... to an extent). But most importantly, the series is full of some really interesting ideas and concepts, especially in regard to the Fermi Paradox. It makes you think, imagine, and philosophize, which is what I love about reading sci-fi. Anyway, it's definitely worth reading the series before having your idea of it tainted by the TV show, which will inevitably butcher certain aspects, and tarnish what your imagination could have dreamt up on its own.
Mar 24, 2024

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I recently finished this amazing Chinese sci-fi novel. It’s about a contemporary world in which scientists learn, through trial and error, that physics no longer exists (and may have never existed). I won’t spoil too much, but it is being made into a Netflix series slated for release later this year.
Jun 23, 2023
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This trilogy is one of the most interesting and ambitious things I’ve ever read. The scale of the story consistently expands, and there is unique profundity to the concepts that the author introduces. It leaves you contemplating the depth of our place in the universe, and the philosophies upon which we entrust ourselves to evolve further into the unknown. It's going to be a Netflix series soon, so read it before it gets ruined by Corporate Money Goblins!
May 30, 2023
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This trilogy is one of the most interesting and ambitious things I’ve ever read. The scale of the story consistently expands, and there is unique profundity to the concepts that the author introduces. It leaves you contemplating the depth of our place in the universe, and the philosophies upon which we entrust ourselves to evolve further into the unknown. It's going to be a Netflix series soon, so read it before it gets ruined by Corporate Money Goblins!
May 30, 2023

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I don't know how well this actually answers your initial question, I think it's more of a counterpoint to some of the stuff people have already said, but here it goes. In the past (prior to social media or search engines) specific styles, specialized knowledge, and niche awareness actually took effort. You had to go out into the world and find a scene, be accepted, participate in it, contribute to it, and learn from others with specific knowledge within the specific sub- or counter-cultural scene. It took time, effort, and experience to craft an identity. Nowadays people cycle through various identities and trends like commodities because it takes no effort (they're sold to them by social media algorithms, influencers, brand accounts, etc.). It comes to you in your phone without you ever even having to leave the house or put in the time to discover it or participate in it (you just follow specific people or subscribe). You can be a passive observer or consumer, not an active contributor. As a result, you're not invested or tied down and committed to that core identity. You can cosplay depending on your mood or who you want to momentarily convey yourself as, because it's easy. Essentially, being a poser has become normalized. An identity is now something to be momentarily consumed and affected, rather than grown, built, and developed over time. Granted, it's always been different in regards to "mass" culture and popular trends (both in the past and now). Those are impossible to miss and were always monopolized by specific trend setting institutions, but always by the time it gets to that point, the actual initial counter- or sub-culture that inspired it has already been coopted and has started to disintegrate under the weight and attention of mass consumption.
Feb 18, 2024
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I feel like everything about this photo captures that unique period of time - the covid masks, the protest signs, the boarded windows, the national guard. I look at it now and I still feel glimmers of the hope I felt in that moment, when the rigid and all encompassing oppressive and systemic ruts of society felt like they were becoming more plastic and might even come undone. However, in retrospect, I am of course also hit with the ultimate disappointment, betrayal, and futility of it all. So in that sense, it really captures that hovering sense of disillusionment and hope that I'm perpetually caught between within my day to day life.
Mar 30, 2024