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This man has been publicly slugging it out with his humanity and spirituality in what he writes and directs his whole career. And making some profound art in the process. His declaration here chokes me up. I’m glad he’s finally finding some peace in this life.
Jul 2, 2024

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The minute that Gene Hackman walks into the brothel in the 1992 Neo-Western Unforgiven, he's so casually evil that you want to spit phlegm at him to the screen from your couch. It's a particular role too, since the movie regards the previous iterations of Westerns as false. Unforgiven is about how all the outlaws of the past were no-good liars, that this is a no-good way of life. Clint Eastwood's William Munny is an alcoholic, wrestles with his pigs in the mud because he could no longer stand the pain from his exploits. But, it is Hackman --- who died in his Sante Fe home this Thursday morning -- who most understood the bleak vision that Eastwood is projecting to us. Sheriff Little Bill, his character in Unforgiven, was a keeper of sadism, a keeper of that bleakness that Eastwood conveys. Where the sheriffs of the myth that you read would be righteous veterans respected for their sincere integrity, or big defenders of justice, Little Bill is a gang in the way policemen are in didactic urban movies. When he needs to be empathetic, he is cavalier, letting the men who abuse the lovely prostitute in the beginning of the movie leave without any repercussions. When he is needs to be fair, he is sadistic; to him, vigilantes are one thing: villains here to take the shine away from him in his small-town that he runs for the sake of his ego. Hackman is shiveringly good as Little Bill; it's my favorite role from him in a career full of dynamic screen performances that have captured the rot of American life. You get the point that there is no point to any of what Bill is doing besides his own egocentrism. He finds vigilantes bad, not because it is amoral, but rather because they get the credit and not him. Popeye Doyle, for all of his tenacity, has a twisted sense of justice and what the police can do. The nastiness he conveys in his service of a conspiracy that goes beyond anything what Doyle can defeat -- yet, he can't help but continue the imperial march for his own ego. When you look at television cops like Jimmy McNulty or Vic Mackey, you see Hackman's portrayal of Doyle, and his Captain Ahab-like drive to be lower than the criminals he is chasing. I was nervous to write about Hackman, that's why I took so long to complete this blog. I didn't know what to write about, what performance to highlight, or how to start it. He's lived a monumental, complete life that brought a presence which changed the way audiences viewed actors. He wasn't a movie star in the way that Jimmy Stewart, Cary Grant, or even James Cagney was, but he was not a underrated character actor. Instead, his definition would be "a screen presence" --- a word used for an actor who is always the key component of the movie regardless of what his screen time is. He was both Popeye Doyle and the best of an ensemble cast, like he was in Wes Anderson's The Royal Tenebaums. He was great as Denzel's antagonist in Crimson Tide, as a ruthless meat boss in Prime Cut. Those roles suggested a brilliance that was unpretentious but intelligent. I would be remiss if I didn't bring up that performance as the Tenebaum family patriarch. His old man period was awesome -- he felt like a hired gun for a baseball team every free agency period, like he signed one year deals with every famous director on the planet --- and Royal Tenebaums is a prominent character in Anderson's filmography for his joy, irresponsibility, racism, unique humor, yet there is an underlying humanity that sets him apart from the other deadbeats. When Ben Stiller's Chas says "I've had a rough year, Dad." Hackman, in a line reading that is a caption for the wonders of friendship, empathy, and understanding says, "I know you have, Chassie." Cinema can really be unsettlingly pertinent, and that Hackman role is as good as a string part of a grilled cheese sandwich.
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@jayson
STAFF
Feb 27, 2025
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My love for this man’s filmmaking is so profound it could bring me to tears. Garlic Is As Good As Ten Mothers (1980) gave me more validation than I knew a film could. So much so I made my family sit down and watch it recently. My brother promptly ordered me the books mentioned in the doc. Feeling seen is never overrated. Special mention to Innocents Abroad (1991) and Always for Pleasure (1978).
Jan 30, 2024

Top Recs from @lucius

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Alright y'all, standards have gotten a little lax around here and rec quality has taken a dip (I'm including myself in this). Here are some pointers for High Rec Standards. ANATOMY OF A REC: TITLE—This is the rec or recommendations. This is NOT a lead in. Type exactly what you're recommending here. What appears in the Title should finish this sentence, "I recommend _____." BODY—This supports the rec and anything goes. Supporting statements, supporting essays, additional recs, you can get silly, you can pontificate. You can do anything you want. Except putting the main rec down here. Where does it go? That's right. In the Title 👆 IMAGE—No rules. Add one to preference. It can be relevant or a non sequitur. LINK—I highly recommend links but it's not as important as the Title or Body. If you are recommending something that has an online presence (music, movies, websites, products, etc.), Piffies want to click on it immediately. Don't make us google. Be kind a leave a link. EMOJI—No rules. Express yourself. ANTI-RECS: They exist and they are valid recs. "Anti-Rec: _____" clearly communicates this is something best avoided. But a better way format this type of Rec is to use a modifier or verb that flows with "I recommend _____." Ex. I recommend... Not Eating Tacks, Avoiding Area X, Leaving Off the Anchovies, etc.—(Formatting Anti-Recs this way first recommended by tyler the Creator) ANATOMY OF AN ASK: TITLE—This is the question or topic of the Ask. Asks can solicit advice or start a discussion. You have some flexibility here because the Ask is expected to be expounded upon in the body if it needs more context. Just be clear. Again, this is not a lead in. Be direct and ask the question or state the topic. BODY—Provide more context. Narrow the recommendation field. Add relevant links. Remember, the Ask goes in the Title 👆 EMOJI—No rules. Express yourself. ANSWERING AN ASK—Recs on Asks can break style as dictated by the Ask. If the Ask is looking for Recs, give Recs following style. If it's asking for opinions, give your opinion. Asking for links? Give links! Respond however you would respond some someone IRL. Asks start a conversation so you can be more conversational. But keep in mind that these Recs will appear in the main feed. So where you can maintain Rec style, do so. Example: WHAT’S YOUR CURRENT LETTERBOXD TOP 4? A response to this with High Rec Standards would look something like this: TITLE—Lists your current Letterboxd top 4. You are recommending these four movies. BODY—Free reign here. Drop your Letterboxd @. Talk about the movies. Make a quip. Emoji. Relevant links. Nothing. IMAGE—Optional. Screenshot of your top four. Frame from a movie. Dealer's choice. LINK—Add your Letterboxd profile only if you want to be found. EMOJI—Whatever. But it'd be nice if it was relevant. DISCLAIMER: This is a living community document! These are only my recommendations for a foundation. Debate and Discussion of proper style are Encouraged. Any editions and changes to the PI.FYI STYLE GUIDE will be notated with attribution. Changelog: 07.26.2024—Clarified a Rec is not limited to one recommendation. Recs can recommend multiple things. Thanks to shegoestoanotherschool for identifying the issue. / Added guidance for Anti-Rec format. 02.11.2025—Moved SpongeBob Bubble Blowing Technique video link from the top level into the body ("some pointers") so the embed wouldn't override the High Quality instructional graphic.
Jul 25, 2024
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This combo has just been here the whole time?!
Feb 6, 2025
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i will eat one every day i do not give a fuck anymore
Jan 30, 2024