Jazzy, warm, bright, leisurely. Largely improvisational, the album exudes harmony. I have been obsessed with it. Perfect egg boiling music.
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Jul 25, 2024

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From: Los Angeles Genre: Jazz/avant garde/lo-fi/ambient LP: Music for Saxofone & Bass Guitar (2018) Interpretation of a 1980 Pharaoh Sanders composition (featuring, appropriately, Idris Muhammad on drums). Both Sams are amazing artists and band leaders on their own, and on this album (plus its two follow-ups thus far) they stretch their chosen instruments to their outer limits. Recorded mostly live, looped mouth sounds and taps on a mic drenched in reverb build the spare backing rhythms. Wilkes’s bass generates waves of tonal textures like fog on a city street. Gendel’s sax riffs are so alluring—effortlessly beautiful and endlessly hummable. Your friends who don’t like jazz will still love this. Your friends who do like jazz already know what‘s up.

Top Recs from @jonjonkim

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Florist’s self-titled is gentle, sonically diverse, and poetic. “Someone told me once ’you better not let this pass’ Sometimes I think I have too many pasts So what do you think, should we just be here on the land? Listening to the sounds of life around us pass Careful not to tread on anything needing rest” from “Feathers” It’s a quiet, folky spirtualism. There are also these ambient, field recording-y interludes sandwiched between songs, and it’s so, so good.
Aug 16, 2024