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Michelangelo Antonioni’s ‘Zabriskie Point’ is an absolute masterpiece in my opinion. A critique of america, the american dream and capitalism through the eyes of youth counterculture with stunning visuals and an amazing score that includes Pink Floyd and The Rolling Stones. It isn’t a film for everyone, but it’s a masterpiece.
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Aug 30, 2024

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This is one of my favorite films in terms of aesthetics. One of the final scenes is the epitome of what I want my future work to emulate. It’s really hard to articulate what it is about this film that I love, but here are some key words: bathhouse, bright and seedy colors, beautiful woman, adolescence, a stunning scene with the Can soundtrack “Mother Sky,” angst, water, sex.
Apr 21, 2023
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Michelangelo Antonioni’s 1966 film Blow-Up is a post-modernist piece set in the mod era of 1960s London, following a fashion photographer, grappling with perception of reality, and the search for meaning in his creative work. In arguably the most iconic scene [linked], the main character, Thomas, wanders into a concert with a cameo by none other than The Yardbirds, especially memorable because it features Jeff Beck and Jimmy Page during their brief overlap in the band's lineup. But what's more is the absurdism Antonioni layers into it. Allegedly, Antonioni originally wanted The Who for the scene, who was already known for Pete Townshend’s guitar-smashing, but getting them would have "blown up" ;) the budget of the film. That bit of trivia only deepens the absurdity of Jeff Beck smashing his guitar. What was once an act of raw, rebellious energy is portrayed as hollow, almost mechanical aggression. Meanwhile, a stage tech casually tries to fix the amp, underscoring how these once-authentic acts can become ritualized, drained of their original meaning. The tone of the scene is heightened as Thomas drifts through it all, eventually catching the broken guitar neck like a souvenir, only to discard it moments later—a perfect example of randomness and futility woven throughout the film. Great film for: - Dissociative film photographers - Those inflicted with impostor syndrome - Mimes who enjoy tennis - Swinging London nostalgia whores
Aug 25, 2024
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Scrolling through some of my recently watched…Aguirre, the Wrath of God (1972)16th century conquistadores driven to madness in the Andes. You can tell that these dudes were in the shit while filming. Always thought of this film as the original Apocalypse Now. Werner Herzog and Klaus Kinski. Good stuff.Badlands (1973)Seen It many times. Timeless visual beauty and performance chemistry between Martin Sheen and Sissy Spacek. Terrence Malick’s directorial debut. Love it.Network (1976)This screened the other night in LA while I was out of town so I rented it for the twentieth time. As relevant now as it was then. A stone-cold masterpiece. Paddy Chayefsky won an Oscar for screenplay, but it lost best picture to Rocky. Taxi Driver was also nominated. What a year!Tess (1979)Just saw this for the first time. One of Polanski’s best. Feel like he was inspired by Barry Lyndon.Year of the Jellyfish (1984)A French friend recommended this one. I think it’s kind of cherished by some as a trashy cult classic. But if you’re looking for a film full of gorgeous, topless French women on vacation in San Tropez in the 1980s, this is for you!The West (miniseries) (1996)I rewatch Ken Burns documentaries all the time. Jazz, Country Music, Baseball, Lewis & Clark, all of them. I’ve seen each one multiple times. The West is remarkable. A comprehensive deep dive into 19th century American history. 20-hours replete with unmistakable, soothing Burns-esque narration and somber songs of the old American frontier. Fascinating, harsh and profoundly sad.
May 30, 2023

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go watch some, I wish every film was one
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