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I used to not think much about this song when I was younger– I thought it was very repetitive– but then I watched Aftersun, and I actually listened to the lyrics for the first time. If you take the verses at face value, they seem disjointed, as if multiple ideas are being thrown together into a single song. Funnily enough, that's exactly what unifies them. There are multiple interpretations out there about the meaning of this song, but for me, it's about the pressures people feel when seeking acceptance in a world preoccupied with conformity and maintaining a certain status quo. The very things that force people to "fit in" are also the things that tear us apart by allowing us to lead with fear and hatred of the unknown. Pressure Pushing down on me Pressing down on you No man ask for Under pressure That burns a building down Splits a family in two Puts people on streets In the end, that pressure can only be relieved by caring and loving people for being themselves. 'Cause love's such an old-fashioned word And love dares you to care for The people on the edge of the night And love dares you to change our way of Caring about ourselves This is our last dance This is our last dance This is ourselves Under pressure Anyways, this song has a newfound place in my heart and never ceases to give me goosebumps whenever I hear it now. Give it a listen, like really listen to it– it may just stir something in you too 🫂
Sep 26, 2024

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It has come to my attention that many people of the universe don’t care much for song lyrics. Whatever floats your boat - I understand the appeal of a nice beat or a catchy tune. All I’m saying is that as long as you are influenced by music, how can you ignore its meaning or feeling? It’s beyond me! To interpret the message being communicated is one of the great joys of consuming music. (To be clear, I love an instrumental soundtrack or song. I have a deep appreciation for the artistry of writing and composing beautiful music. This in itself does tell a story and that is worth praise. But in regards to songs with lyrics - to not pay attention to them is to turn the pages of a book without reading it. You miss the journey entirely!! You deprive yourself of the spirit of the thing!!)
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The first single from Winter Boyfriend from the upcoming album set a, frankly, very different note. 'anx/bodies' is an outlier for us, musically and lyrically, but when putting the final touches to the album it was one of the songs that people seemed instinctively to engage with if they weren't broadly invested in our main thing, essentially indie/indie-punk made by a would-be emo band. At the very least it provoked a reaction. It's a song inspired by a very specific series of events but is not specifically autobiographical. Outside of the world of this song i am much less forward about sex. I enjoy being 'too much' with friends but i really don't want it going anywhere my family might hear it. Repression is fun! I often wonder if that's similar to what actors feel when doing nudity or whatever. It's a case of, "I don't want to know you've seen me experience that?" Anyway, honesty can help in art, but also maybe so too does a little internal repression. It was written about a memory of going to a university disco, arriving at the club where everyone was looking hot and cool, and i suddenly becoming very aware of my inability to be calm. It is essentially about over-stimulation and amorousness and the confusion of that smashing like a wrecking ball through any semblance of chill i might have had. The verse bass riff is really old, easily over 10 years old. I wrote it for a different project, a Death From Above 1979 rip-off thing, and my pal Martin played bass, while i sang and drummed. The song was unremarkable but the riff was cool. There was no way i wasn't keeping it. Also, it explains why it's the only song that uses a fuzz bass tone. Yet. I have no idea when i came up with the guitar riff but it's one of my favourite parts i've written. It's rythmic and a little bit dissonant, but i think the G# implies an E Major chord, making it A minor natural (sorry music theory experts, probably butchering this). I was also unsure if i could allow myself to write the chorus which used power chords. It always feels too basic. But it worked in the context of the song. I finished it years ago aside from a few lyrical tweaks and the introduction sound (chord played, tremolo arm depressed as it fades out, recorded and reversed). Also when mixing the song my references were very different and included a lot of 00s and 10s music, including bands that have been grandfathered into the whole 'indie-sleaze' thing, and it made me realise the second verse needed, nay demanded!, a cowbell and some percussion (the other percussion is drumming on glass bottles fyi). I feel like 'anx/bodies', and the song that follows it, 'on our way home', are two sides of the same coin. One uptight, repressed yet explosive, and the other unrelenting, desperate and flailing. You could almost imagine the latter being later in the same night, getting existential when worse-for-wear. More on that one later.
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