A lot of people know Satoshi Kon from his anime films âPerfect Blueâ, âPaprikaâ and perhaps his TV Series âParanoia Agentâ that got an american run on Adult Swim ( Itâs one of my favorite TV shows of all time & I also recommend it, but I donât know if itâs legal to recommend something like this within the Perfectly Imperfect Newsletter). I am a huge fan of his work, a lot of which is pretty dark, scary, challenging and so on. But if I had to pick my favorite of his, it would have to be his second movie âMillennium Actressâ which feels like his sweetest and most heartfelt work. Itâs a super surreal, dreamy, gorgeous movie. Especially insane how small the budget was for an anime feature, and his last movie to use actual cel animation before going digital. It also has my favorite original soundtrack from any movie, composed by Susumu Hirasawa, who went on to do the music for Paprika and Paranoia Agent. Susumu Hirasawa is famously known for doing the theme & other music for the anime BERSERK, but is an electronic music pioneer in his own right. The soundtrack he made for Millenium Actress is so unique, beautiful, and inspired. Itâs this combination of his singing which is what I would poorly describe as gorgeous yodeling teetering into operatic howls which he digitally manipulates, pitch shifts, layers, and samples, over these electronic dance tracks which then veer into reverb-y orchestral plucking and religious choir chanting. Itâs very emotional & atmospheric and I am doing a horrible job describing it so I will just make one of the songs my next recommendation and hopefully it can be hyperlinked. The final thing Iâll say about this movie is that I showed it to a friend a few years ago and he said that âthis is not a feminist film and Iâd say it would actually pass a reverse bechdel test whatever that isâ and I completely agree. But sometimes itâs really beautiful when a woman has no other meaning in life than to find her crush! đ