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I'll state it right up front: This is a dad-rock rec.
Try to picture yourself (a theme of this album's third track, "Picture Book") back in 1968: songwriting pairs dominate the UK scene. Lennon/McCartney; Jagger/Richards; Page/Plant. Into this noisy fray saunters the Kinks' Ray Davies, who has had hits earlier in the decade with his group the Kinks that SOUND a lot like to guitar-up-to-eleven frenzy ("You Really Got Me," a number one, was said for years to feature a young Jimmy Page on the solo, until it was debunked) but is now fixated on a sepia-toned sort of quasi-nostalgia that is pivoting his band from England's Hitmakers toward the sort of cult band that would later be cited by Blur's Damon Albarn and Oasis' Noel Gallagher as a seminal source of material and influence (it's hard to imagine "Parklife" or "What's the Story Morning Glory" -- hell, Britpop, period -- without this album and the pathway it created).
Davies was busy wrapping himself in the cloak of the Union Jack, long before this sort of move would have had him branded as National Front (or Morrissey-adjacent). "Village Green Preservation Society" didn't sell much when it was released (it only went gold in 2018) but was notable for its acoustic, singer/songwritery pastoral vibe and a yearning for a return to a Middle England that arguably had never existed. Indeed, the mix of sarcasm and sentimentality that marks the title track ("We are the skyscraper condemnation affiliates/God save Tudor houses, antique tables, and billiards") and other key cuts such as "People Take Pictures of Each Other," "Last of the Steam Powered Trains," the music hall sounds of "Sitting by the Riverside" and "All of My Friends Were There" speak to a love of both the literal village green as well as the metaphorical village green -- many of these mementoes of the past are likely better left behind (which Davies either notes directly or through comparison) but the crank in him just can't resist making the point that a way of life and a slice of history is sliding away before our very eyes.
Davies spent part of 1968 writing satirical numbers for a late-night BBC comedy program, so it's entirely possible that this ironic sensibility (which would inform his writing from that point forward) spilled over into the writing and creation of this album. Earlier songs like "Dedicated Follower of Fashion" and "A Well Respected Man" pointed the way toward this endstate but Davies had never sustained it for a full LP. This was a novella about the premature death of England, The Concept and The Empire.
Two contemporaneous non-album tracks -- "Days" and "Wonderboy" -- do as good a job of explaining Davies' motives at the time (a sort of inward and wistful focus on their Britishness, which a five year U.S. performance ban for reasons that remain somewhat vague no doubt also created, by extension) as the album itself, which is nonetheless one of the first extant concept albums ever recorded.
These days, we think of Davies as doing his best work with a quiet, knowing, ironic smile -- this is the album that started his whole downstream career phase as the poet laureate of a quickly-evaporating Albion, which groups like the Libertines (and all their tongue-in-cheek Olde Ways mythmaking) were surely taking note of.
A top-ten all time record for me. All hail the Godfather of Britpop (I'm sure he hates that moniker but it doesn't mean it's not true).
Oct 27, 2024
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Wanted to talk about this album a little because I just bought AG Cook tickets and I am so excited to see him live again. Maybe there is some bias here, but I’m not an actual music journalist so yeah, I’m going with my opinions.
AG Cook is a pioneer to modern electronic music, and laid a lot of groundwork for what is now understood as modern hyperpop. Before hyperpop, it was PC Music, the label made under his creative expertise, housing artists that took on this electronic, avant-garde approach to their music that wasn’t really being seen anywhere else. PC Music was both an actual music label, but also served as a genre title for artists like SOPHIE, Hannah Diamond, Danny L Harle, amongst many. PC Music kind of birthed 100 gecs and a lot of modern ‘hyperpop’ artists.
Britpop is Cook's 3rd studio album having been released in May 2024. Note that a few months prior the official PC Music accounts announced that the label was not going to continue on with releasing music, and would only continue to be around for archival purposes. I could get into maybe why this is the case, but to put it shortly I think that Cook and other high ups involved with PCMus figured that this niche style of music has begun to go mainstream, so they were not necessarily the hub that housed and promoted all of the artists of this style. And sometimes, good things just need to come to an end. PCMus was never the same after the unfortunate passing of SOPHIE, but its resident artists continue to create and release fantastic, boundary-pushing pop music.
Though this whole record, isn’t really Britpop by definition, a genre of the 90s in the UK that was led by the likes of Blur, Oasis, Pulp and Suede - an alternative rock sound that pulled influence from the 1960s sound that was defined by the Beatles. It also was a direct response to the rise in Grunge in the US. Perhaps an electronic approach is a new way of understanding britpop in an even fresher way, when bands in the 90s took from the 60s, now in the 2020s we are taking from the 90s. I think you could argue there’s some of that influence in this record.
This nearly 2 hour long record is noisy in the best ways, dizzying and almost magical. Cook does a great job at building soundscapes, and there are universes that exist within the Britpop album. Some notable tracks is the title track “Britpop” that features vocals from none other that Charli xcx, a longtime collaborator and friend to Cook. (I could write a whole post on their growth and dynamic as a duo. Soon!!) Other tracks that stand out to me was the almost sugary sound of Crescent Sun, which may or may not be my favorite track on the album, despite only being the 5th track of a 24 track album. It builds up beautifully and crescendos in a way that feels fully realized. It was an incredible song to hear live as well, I might add. Some other notable tracks would be Heartache, Serenade, Greatly, Bewitched, and Lucifer. There is definitely a narrative in this album, which is why it is laid out into 3 discs, Past, Present and Future. Starting out with a classic sound expected of Cook or any PCMus adjacent artist, this past sound is something we are familiar with- but it does not feel like it has been overdone. The Present disc shows the most britpop influences, having a very grunge-esque, rock sound to it, using a lot of guitar. The Future disc moves back into a more understood and evolved idea of what Cook's signature sound is, and what the PC Music legacy really is.
In whole this album takes a lot from his previous two albums, but utilizes his signature style in a way that feels much more cohesive as an entire album.
I don’t hesitate to say that AG Cook is one of the greatest producers in our lifetime, and his work is seen across many artists and genres, and his own personal projects prove his status as legendary time and time again. I had the pleasure of catching one of his sets at the SF Electronic/Dance music festival - “Portola” and it was one of the highlights of my weekend. I was super excited to hear he announced a standalone show in San Francisco, I already secured my tickets. If you haven’t listened to any of Cook’s personal projects, I highly recommend it. If you stumbled upon Charli xcx through BRAT, AG Cook is essential listening if you want to dive more into her sonic universe and the people that orbit within it.
Mar 7, 2025
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I have kinda genuflected at the altar of this album since it first came out.
I owe at least two of my "meh" bands to it/them.
It was the sound of Liverpool in my head; rainy, grey, moody, caught between gothic stoicism and a dappled-light magical realism of moonlight reflected on the waves that surround that port city. Tough and tender. Bluster and vulnerability. Light and shade. All in one package. Just like Liverpool itself.
My friend Rob Elba and I did a full podcast episode on it a few years ago that still stands up pretty well as a definitive evaluation of what singer Ian McCulloch once boastfully called "The Greatest Album Ever Recorded" (not that I'm making him wrong about that). Will's guitar playing never, ever left my head -- I tried to model my whole "less is more" approach upon his twinning of Television and the Velvets.
"Silver" and "Seven Seas" could chart today, they still sound so fresh.
May 4, 2024
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🎶 ‘90s Sound. Modern Story. Familiar Voices.
When your audiobook ends up in the ears of your old schoolmate Jamie Oliver, you know it’s doing the rounds in the right kind of kitchens.
“Three and a Half Minutes of Fame” is the story of chasing the dream — even if the dream only lasts the length of the perfect pop song.
It’s for anyone who ever sat on the floor with Definitely Maybe, Leisure, or The Stone Roses, thinking:
“That could be me.”
Now, with Oasis reunion gigs (finally) happening, it felt right to put this lineup together — 3 records that defined a generation... including mine.
🎧 Audiobook out now — stick it on between spins.
Jul 4, 2025
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The man responsible for dozens of Teenage Symphonies to God
"Sad songs about happy things" (the first time, as a kid, I can recall the sweet/sour combo of melodies that could make you cry attached to songs about endless, bottomless love)
I've long since lost track of how many weddings and funerals I've attended that have featured this song; suffice it to say, "a lot."
God only knows what we'd been without him 🙏🏻
Jun 11, 2025
May 22, 2025
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Hey tyler hopefully this doesn’t violate some PI.FYI golden rule
But after nearly two years of writing, editing and arguing, my book about the EP is coming out in May and can be preordered here:
https://hozacrecords.com/product/aifl/
The book is about the origins, history and cultural impact of the EP since these little objects first started coming out in the 50s.
Over 50 of my music biz friends then helped me shape the list and review the top 200 ever released, according to us (ha).
For those of you who are into this kind of geekery/snobbery, I can’t wait to hear what you think. A labor of love, as all books are! ❤️
Mar 27, 2024