Most of these are short films Jamie Babbit - But I’m a Cheerleader (1999) Howardena Pindell - Free, White and 21 (1980) Jane Schoenbrun - We’re all Going to the World’s Fair (2021) Joan Jonas - Volcano Saga (1989) Iara Lee - Modulations (1998) Cheryl Dunye - Janine (1990) Cheryl Dunye - Greetings from Africa (1995) Ximena Cuevas- Corazon Sangrante (1993) Pipilotti Rist - Ever Is Over All (1997) Maya Deren - Meshes of the Afternoon (1943) Alanis Obomsawin - Basket (1975) Najwa Najjar - Naim and Wadea (2000) Ewa Bibanska - Portret Niewerny (Unfaithful Portrait) (1981) Akosua Adoma Owusu - Ajube Kete (2005) Janice Inskeep - Mother Goddess goes to the grocery store (1993)
Nov 4, 2024

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WARNING: potential spoilers as i list some of the movies’ major themes (from newest to oldest) - Mustang (dir. Deniz Gamze Ergüven, 2015): sisterhood, female liberation, bodily autonomy, sexuality, domestication, female solidarity, innocence     - 4 Months, 3 Weeks and 2 Days (dir. Cristian Mungiu, 2007): bodily autonomy, female friendships, female solidarity - Born In Flames (dir. Lizzie Borden, 1983): intersectionality with race, queerness, and class; female solidarity, white feminism, female liberation, rape culture  - House (dir. Nobuhiko Obayashi, 1977): the transition from girlhood to womanhood, female friendships, domestication, individualism, femininity as an ideal, mother-daughter relationships, innocence - 3 Women (dir. Robert Altman, 1977): individualism, domestication, motherhood, beauty standards and other societal expectations of women, the transition from girlhood to womanhood, innocence - One Sings, the Other Doesn’t (dir. Agnès Varda, 1977): impacts of second-wave feminist movement, bodily autonomy, female liberation, female solidarity - Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (dir. Chantal Akerman, 1975): individualism, family dynamics, domestication, bodily autonomy, objectification, female liberation  - A Woman Under the Influence (dir. John Cassavetes, 1974): intersectionality with class, sexuality, family dynamics, domestication, societal expectations of women - *Female Trouble (dir. John Waters 1974): intersectionality with queerness, sexuality, femininity, beauty standards and other societal expectations of women, mother-daughter relationships,  - Cléo from 5 to 7 (dir. Agnès Varda, 1962): objectification, the value of beauty, self-image, individualism  *i do not recommend this for those who may be sensitive to particularly triggering depictions of assault or abuse
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Horror/thriller: Jennifer’s Body (2009) Promising Young Woman (2020) Shirley (2020) The Love Witch (2016) Shiva Baby Bottoms (2023) The Beguiled (2017) Fresh (2022) The Power of the Dog (2021) We Need to Talk About Kevin (2011) Censor (2021) The Substance (2024) The Lost Daughter (2021) Raw (2016) Saltburn (2023) Another Earth (2011) Comedy/feel good: Waitress (2007) Birds of Prey (2020) Austen land (2013) Bend it Like Beckham (2002) Good luck to you, Leo Grande (2022) Marie Antoinette (2006) Little Women (2019) Little Miss Sunshine (2006) drama/Slice of life/emotional: The Kindergarten Teacher (2018) Pariah (2011) Nomadland (2020) Sometimes I Think About Dying (2023) Rocks (2019) Lost in Translation (2003) American Honey (2016) Babyteeth (2019) Can you Ever Forgive me (2018) Emily (2022) Crime/court/political drama: Zola (2020) Queen and Slim (2019) Anatomy of a Fall (2023) Selma (2014) Hustlers (2019) One Night in Miami (2020) Romance/love story (mostly lesbian): Portrait of a Lady on Fire (2019) Tell it To the Bees (2018) My Days of Mercy (2017) Vita and Virginia (2018) Emma (2020) Here’s a list of some of my favourite films directed by women (all rated 4 stars or above by me!). I’ve attempted to losely group them into genres which was impossible and I’ve done badly, but hopefully it will make it possible to sort of choose a vibe you might want.
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It’s just so nice when people genuinely give a shit about you or your friends and you both want to get to know each other more love people like that
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There’s been multiple reports of AI taking up lots of energy to generate things and we don’t need more energy being wasted to produce a soulless, computer generated piece of AI art (Idk how others feel about AI art but whenever I look at it I feel sick and my heart sinks because it just feels so empty) so that’s one thing. Another issue is all these horrific deepfake scandals, to an incident that happened to at least 1 girl at the high school I went to (I’m not gonna say their names or anything because they’ve already been through so much shit) to South Korea’s recent crackdown on deepfake p0rn which revealed just how rampant it was throughout the country (and I just know shit like this is happening worldwide it’s not just their country). There’s also social media manipulation, biases in AI (only 100/7,000 of this world’s languages being used in chatbot training which only contributes further to languages being endangered), the very real threat of AI to be used to create more inequality, etc. While it looks like generative AI is flopping in some areas now (thank god) I’m still very concerned about it
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