💿
Happy 2nd Birthday to what is, without a doubt in my mind, the greatest album ever made.  I found this band back in 2019 when their second ever single, sunglasses, popped into my youtube recommended. It had maybe a few thousand views at the time. That song was revolutionary for me, unlike anything i’d ever heard. I resolved to follow the band like a zealot from there on out. I read every interview, listened to every live bootleg, etc. Their first record finally came and went in early 2021 with reasonable acclaim. I adored it and spoke about it with fervor upon release. I sent it to anyone and everyone. But there was a small nagging part of me that thought the band had not reached terminal velocity just yet.  I remember being slightly disappointed that a newer live staple “Basketball Shoes” (a 13 minute monster of a song) was noticeably missing from the track list. When I first heard a live recording of it in 2019, I already knew that it was quite possibly the best song ever written. (I looped this recording so many times that every aspect is committed to memory, even the distinct crowd noises.) AFUT released 2 years ago today, and it was a revelation. A 10 track, hour long, jam packed record of nonstop hits. Anthemic and yet equally frenetic, Ants is nearly impossible to describe. I have to imagine hearing this album is what hearing Neutral Milk Hotel’s In the Aeroplane Over the Sea for the first time must have felt like. Somehow both alien and feeling as though it has always existed, it is impossible to imagine a world, or a time, where this record does not exist. It is a generational record that words will simply never do justice. Thank you BCNR, Thank you Isaac Wood.  concorde will fly.
Feb 4, 2024

Comments (4)

Make an account to reply.
image
listened to the album because of your recommendation, blown away by it - thank you!
Feb 6, 2024
image
my favourite song from the album is haldern. adore it sm
Feb 5, 2024
image
i missed seeing the afuh tour thinking another album would drop eventually... i will never forgive myself for not seeing this live 😭
Feb 5, 2024
image
Hell yeah - incredible band and album
Feb 4, 2024

Related Recs

recommendation image
♾️
this isn't a particularly rare vinyl release at all - it's still widely in print and very affordable. it's an album very very widely considered a classic. but it is, I think, the moment when I realised what makes buying music more satisfying of an experience than the lifetime of piracy I'd built up to that point. it comes with a handful of prints and illustrations that really expand upon the feeling of the album. the record itself isn't even labelled, there's no tracklist, the sides are engraved with their descriptions "nervous, sad, poor" and "bleak, uncertain, beautiful". but most notably of all, each of these releases comes with a penny flattened on train tracks behind the studio it was recorded in. I've heard stories of copies of this album coming with handwritten notes of thanks from the label. it was the first time I think I realised the love and the immense effort that goes into putting music out independently like this, even long after the recordings are done. I mean, I get that this one's a very special case - a lot of high-effort touches to really drive home the art, and to keep doing them decades after the album released. but I think picking this up is a big reason why I'm still buying vinyl ten years later. the album still absolutely rips, of course.
Jan 10, 2025
recommendation image
🎶
I will fail to explain just how much this band meant to me in the 90s. So I will borrow from AV Club who did a fine job of distilling it: “Unwound is the best band of the ’90s. Not just because of how prolific, consistent, and uncompromising it was, but because of how perfectly Unwound nested in a unique space between some of the most vital forms of music that decade: punk, post-rock, indie rock, post-hardcore, slow-core, and experimental noise. That jumble of subgenres doesn’t say much; in fact, it falls far short of what Unwound truly synthesized and stood for. Unwound stood for Unwound. But in a decade where most bands were either stridently earnest or stridently ironic, Unwound wasn’t stridently anything. It was only itself. In one sense Unwound was the quietest band of the ’90s, skulking around like a nerdy terror cell. In another sense it was the loudest, sculpting raw noise into contorted visions of inner turmoil and frustration.” R.I.P. Vern Rumsey. This is their finest song, from their finest album. I really can’t say enough about the sheer bloody minded genius of this group. 🖤
Mar 23, 2024
recommendation image
💽
Wanted to talk about this album a little because I just bought AG Cook tickets and I am so excited to see him live again. Maybe there is some bias here, but I’m not an actual music journalist so yeah, I’m going with my opinions.  AG Cook is a pioneer to modern electronic music, and laid a lot of groundwork for what is now understood as modern hyperpop. Before hyperpop, it was PC Music, the label made under his creative expertise, housing artists that took on this electronic, avant-garde approach to their music that wasn’t really being seen anywhere else. PC Music was both an actual music label, but also served as a genre title for artists like SOPHIE, Hannah Diamond, Danny L Harle, amongst many. PC Music kind of birthed 100 gecs and a lot of modern ‘hyperpop’ artists. Britpop is Cook's 3rd studio album having been released in May 2024. Note that a few months prior the official PC Music accounts announced that the label was not going to continue on with releasing music, and would only continue to be around for archival purposes. I could get into maybe why this is the case, but to put it shortly I think that Cook and other high ups involved with PCMus figured that this niche style of music has begun to go mainstream, so they were not necessarily the hub that housed and promoted all of the artists of this style. And sometimes, good things just need to come to an end. PCMus was never the same after the unfortunate passing of SOPHIE, but its resident artists continue to create and release fantastic, boundary-pushing pop music. Though this whole record, isn’t really Britpop by definition, a genre of the 90s in the UK that was led by the likes of Blur, Oasis, Pulp and Suede - an alternative rock sound that pulled influence from the 1960s sound that was defined by the Beatles. It also was a direct response to the rise in Grunge in the US. Perhaps an electronic approach is a new way of understanding britpop in an even fresher way, when bands in the 90s took from the 60s, now in the 2020s we are taking from the 90s. I think you could argue there’s some of that influence in this record. This nearly 2 hour long record is noisy in the best ways, dizzying and almost magical. Cook does a great job at building soundscapes, and there are universes that exist within the Britpop album. Some notable tracks is the title track “Britpop” that features vocals from none other that Charli xcx, a longtime collaborator and friend to Cook. (I could write a whole post on their growth and dynamic as a duo. Soon!!) Other tracks that stand out to me was the almost sugary sound of Crescent Sun, which may or may not be my favorite track on the album, despite only being the 5th track of a 24 track album. It builds up beautifully and crescendos in a way that feels fully realized. It was an incredible song to hear live as well, I might add. Some other notable tracks would be Heartache, Serenade, Greatly, Bewitched, and Lucifer. There is definitely a narrative in this album, which is why it is laid out into 3 discs, Past, Present and Future. Starting out with a classic sound expected of Cook or any PCMus adjacent artist, this past sound is something we are familiar with- but it does not feel like it has been overdone.  The Present disc shows the most britpop influences, having a very grunge-esque, rock sound to it, using a lot of guitar. The Future disc moves back into a more understood and evolved idea of what Cook's signature sound is, and what the PC Music legacy really is.  In whole this album takes a lot from his previous two albums, but utilizes his signature style in a way that feels much more cohesive as an entire album. I don’t hesitate to say that AG Cook is one of the greatest producers in our lifetime, and his work is seen across many artists and genres, and his own personal projects prove his status as legendary time and time again. I had the pleasure of catching one of his sets at the SF Electronic/Dance music festival - “Portola” and it was one of the highlights of my weekend. I was super excited to hear he announced a standalone show in San Francisco, I already secured my tickets. If you haven’t listened to any of Cook’s personal projects, I highly recommend it. If you stumbled upon Charli xcx through BRAT, AG Cook is essential listening if you want to dive more into her sonic universe and the people that orbit within it. 

Top Recs from @vinnie

🔓
we must no longer live in fear of the phantom of judgement
Jan 29, 2024
📉
enjoying a gentle decline into irrelevancy and mediocrity
Feb 2, 2024
🔇
you won’t hear a peep from me if i’ve got nothing to say!
Jan 28, 2024