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I will fail to explain just how much this band meant to me in the 90s. So I will borrow from AV Club who did a fine job of distilling it: “Unwound is the best band of the ’90s. Not just because of how prolific, consistent, and uncompromising it was, but because of how perfectly Unwound nested in a unique space between some of the most vital forms of music that decade: punk, post-rock, indie rock, post-hardcore, slow-core, and experimental noise. That jumble of subgenres doesn’t say much; in fact, it falls far short of what Unwound truly synthesized and stood for. Unwound stood for Unwound. But in a decade where most bands were either stridently earnest or stridently ironic, Unwound wasn’t stridently anything. It was only itself. In one sense Unwound was the quietest band of the ’90s, skulking around like a nerdy terror cell. In another sense it was the loudest, sculpting raw noise into contorted visions of inner turmoil and frustration.” R.I.P. Vern Rumsey. This is their finest song, from their finest album. I really can’t say enough about the sheer bloody minded genius of this group. 🖤
Mar 23, 2024

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wish i got to see them on their last tour. my fav album has gotta be leaves turn inside you… basic pick but the orchestral instrumentation is just spectacular
Mar 23, 2024
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Spotted a box set of theirs at a record store today...wondering if I need to run back and get it now, lmao. Leaves Turn Inside You is still hands down one of my favs ever.​
Mar 23, 2024
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Got to see them here in Seattle last year, was so great & special- so fun to pit w old punk dudes
Mar 23, 2024
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one of my all timers
Mar 23, 2024
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tyler Seeing them in a tiny space a million years ago (I'd put Minutemen in that same mental picture, both were SUPER loud) is definitely an all-time cherished musical memory. I'm just glad I got to catch them while Vern was alive. Astrounding.
Mar 23, 2024
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coreydubrowa woow that’s a special show. i saw them last year on the reunion tour and they rocked
Mar 23, 2024

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One of the least talked-about GOAT double albums ever. I think I caught the band live for the first time on the “Sister” tour that preceded it - I’d never seen or heard anyone abuse guitars in such a creative and unusual way before that (or since). Not a dud track on it. A mind-blowing, life-altering, perspective-forming monster of a release. I was and have remained a fan ever since (and Kim Gordon is a goddess, I’ll go down with that particular ship forever). When someone says “best NYC art rock” this is automatically my go-to reaction. Like a gallery showing for a new artist you can’t wait to tell your friends about. 🖤 P.S.: Yes it sucks that they're gone and I blame Thurston, of course.
Oct 8, 2024
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Happy 2nd Birthday to what is, without a doubt in my mind, the greatest album ever made.  I found this band back in 2019 when their second ever single, sunglasses, popped into my youtube recommended. It had maybe a few thousand views at the time. That song was revolutionary for me, unlike anything i’d ever heard. I resolved to follow the band like a zealot from there on out. I read every interview, listened to every live bootleg, etc. Their first record finally came and went in early 2021 with reasonable acclaim. I adored it and spoke about it with fervor upon release. I sent it to anyone and everyone. But there was a small nagging part of me that thought the band had not reached terminal velocity just yet.  I remember being slightly disappointed that a newer live staple “Basketball Shoes” (a 13 minute monster of a song) was noticeably missing from the track list. When I first heard a live recording of it in 2019, I already knew that it was quite possibly the best song ever written. (I looped this recording so many times that every aspect is committed to memory, even the distinct crowd noises.) AFUT released 2 years ago today, and it was a revelation. A 10 track, hour long, jam packed record of nonstop hits. Anthemic and yet equally frenetic, Ants is nearly impossible to describe. I have to imagine hearing this album is what hearing Neutral Milk Hotel’s In the Aeroplane Over the Sea for the first time must have felt like. Somehow both alien and feeling as though it has always existed, it is impossible to imagine a world, or a time, where this record does not exist. It is a generational record that words will simply never do justice. Thank you BCNR, Thank you Isaac Wood.  concorde will fly.
Feb 4, 2024
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I have kinda genuflected at the altar of this album since it first came out. I owe at least two of my "meh" bands to it/them. It was the sound of Liverpool in my head; rainy, grey, moody, caught between gothic stoicism and a dappled-light magical realism of moonlight reflected on the waves that surround that port city. Tough and tender. Bluster and vulnerability. Light and shade. All in one package. Just like Liverpool itself. My friend Rob Elba and I did a full podcast episode on it a few years ago that still stands up pretty well as a definitive evaluation of what singer Ian McCulloch once boastfully called "The Greatest Album Ever Recorded" (not that I'm making him wrong about that). Will's guitar playing never, ever left my head -- I tried to model my whole "less is more" approach upon his twinning of Television and the Velvets. "Silver" and "Seven Seas" could chart today, they still sound so fresh.
May 4, 2024

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Hey tyler hopefully this doesn’t violate some PI.FYI golden rule But after nearly two years of writing, editing and arguing, my book about the EP is coming out in May and can be preordered here: https://hozacrecords.com/product/aifl/ The book is about the origins, history and cultural impact of the EP since these little objects first started coming out in the 50s. Over 50 of my music biz friends then helped me shape the list and review the top 200 ever released, according to us (ha). For those of you who are into this kind of geekery/snobbery, I can’t wait to hear what you think. A labor of love, as all books are! ❤️
Mar 27, 2024