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‘Gish,’ the 1991 debut, remains an underrated psychedelic classic. Billy Corgan was less Darth Vader here (these days he wears a cape onstage and is giving serious Empire vibes) and more pretentious, insecure suburban Chicago asshole who could nevertheless play the holy Jesus out of his Strat. 🎾 (There's a great video on the YouTubes about a three decade quest Billy undertook to get this yellow "Gish guitar" back after it was stolen from him backstage at a gig in Detroit: https://www.youtube.com/watch?v=CyjBDmEcKAE). There's not a bad song on this album and the original quartet were an absolutely đŸ”„ live band. I remembering seeing them play at a 1000 person club in this era and they totally slayed.
Feb 9, 2024

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Pavement? Great records! the Rolling Stones? They whip! The Misfits? Completely singular! The Cure? What a band! Don’t have to love them all but please approach with open hearts and ears.
Jan 25, 2024
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I'm leaving for Vegas tonight to see the final performance of their latest residency, so I spent all week re-listening to all of their albums on vinyl. Apparently when you crack open my crusty shell, the 13-year old version is still intact within, gobsmacked by how seriously a bunch of adults can pursue their silliness. I spent about five minutes worrying that I'd be disappointed seeing them again now that they (and I) are so old, but then I told myself to shut up. “They’re so over the hill” is the least B-52s sentiment imaginable. Their edginess was never dependent upon youth. They weren't exactly rebels, but they gloried in pillaging what’s old and awkward for the creation of something new and cool that embraces squareness rather than mocking it. What they want - what they’ve always wanted - is for people to have FUN, and they’re entirely non-judgmental about how you want to do it (unless it involves putting anyone down, in which case, no thanks). It’s a spirit that makes just as much sense old as it does young. As a blueprint for a culture, you could hardly do better. And I guess that’s why they’ve always been my favorites - because I still wistfully believe that if everyone shared their courage, spirit, and humor, this would be a better world.  Anyway, "Song for a Future Generation" is one of the greatest things ever committed to video.
Apr 19, 2024

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Hey tyler hopefully this doesn’t violate some PI.FYI golden rule But after nearly two years of writing, editing and arguing, my book about the EP is coming out in May and can be preordered here: https://hozacrecords.com/product/aifl/ The book is about the origins, history and cultural impact of the EP since these little objects first started coming out in the 50s. Over 50 of my music biz friends then helped me shape the list and review the top 200 ever released, according to us (ha). For those of you who are into this kind of geekery/snobbery, I can’t wait to hear what you think. A labor of love, as all books are! ❀
Mar 27, 2024
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I will fail to explain just how much this band meant to me in the 90s. So I will borrow from AV Club who did a fine job of distilling it: “Unwound is the best band of the ’90s. Not just because of how prolific, consistent, and uncompromising it was, but because of how perfectly Unwound nested in a unique space between some of the most vital forms of music that decade: punk, post-rock, indie rock, post-hardcore, slow-core, and experimental noise. That jumble of subgenres doesn’t say much; in fact, it falls far short of what Unwound truly synthesized and stood for. Unwound stood for Unwound. But in a decade where most bands were either stridently earnest or stridently ironic, Unwound wasn’t stridently anything. It was only itself. In one sense Unwound was the quietest band of the ’90s, skulking around like a nerdy terror cell. In another sense it was the loudest, sculpting raw noise into contorted visions of inner turmoil and frustration.” R.I.P. Vern Rumsey. This is their finest song, from their finest album. I really can’t say enough about the sheer bloody minded genius of this group. đŸ–€
Mar 23, 2024