Please check my top pinned rec: STARTING A WEEKLY ALBUM REVIEW CLUB WITH YOUR FRIENDS
I was absolutely in a rut with music listening for years. I’d throw on some algorithmic playlists, and almost always felt bored by the vast majority of stuff that popped up. Plus, algorithms in streaming have actually gotten worse: on Spotify, they’re essentially funnels that keep leading you down the same path.
So, we started this little club for listening to and reviewing albums. Now, personally I’m always and forever going to find a lot of music lackluster – I’ll try just about anything but the stuff that really grabs me is still in the minority. But when you’re discovering stuff together, even a bad album is part of the experience that’s worth something. Maybe you all hate it and can just vent to each other about why. Maybe someone likes it and you don’t and you can have a spirited little back-and-forth about that. Either way, there’s a new album getting picked next week for you all to try. And eventually you’re gonna land on some stuff that you really like!
Feb 29, 2024
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A couple of buddies and I have been doing this for 8ish months for the purpose of consistently exposing ourselves to new music. We rotate picks each week, and the key point is that no one is yet familiar with the chosen album. To pick an alb, the picker usually listens to one song or a couple of snippets to get a vibe, but that’s it. Most of our picks end up being artists that we’ve never/barely heard of. Because we want to focus on new music, we keep the release window to between now and 24 months prior.
We’ve developed a bespoke scoring rubric and an elaborate and beautiful google sheet that archives all our picks and calculates various statistics based on our alb ratings. We all have overlapping yet distinct tastes so sometimes our ratings converge and sometimes we have major disagreements - either way, fun to discuss.Â
It’s been a great way to keep my ears open to discovering new stuff as well as just a very fun activity to do with friends!
Feb 18, 2024
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These aren't curated playlists, they're just a collection of any new songs I discover and really like, or old songs I re-fall in love with. I then give each playlist a name that references how I feel or an event that happened that month. I was in a similar place to you a couple of years ago, but I've found doing this really helps me track my tastes and experiences every month, which I find is quite helpful in our streaming-dominated musicscape.
When I used to actually download songs, it was easy to scroll through my library and be reminded of artists I'd forgotten about or had only listened to a couple of times. I've found that with streaming its really easy to lose track of who you listen to and enjoy, so it really flattens everything and causes you to either rely on the algorithm or your go-to past artists.
As far as discovering new artists goes, there are still a few reliable sites and publications that review new albums (paste, gorilla vs. bear, pitchfork (sort of), etc.). I also like following or signing up for email newsletters (gasp!) from specific indie record labels that I enjoy. If you like several artists on the label, then chances are you'll like more, and they always notify you when something new is being released. Same goes for local venues. Check out the small stage acts coming through or various openers, even if you don't actually make it to the show. This is also a great way to get plugged into the local scene and it keeps you young, sort of.
Feb 29, 2024
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I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order.
so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data.
Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music.
so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites.
LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of “vibes” and “aesthetics” and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason.
aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume
Feb 29, 2024
Top Recs from @solomonki
Recently passed a couple license plates with these dealership names on them.
Lexus of Glendale
Nissan of Orange
Beautiful!
Apr 18, 2024
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to reveal a new bird. looks like we have a beautiful osprey for July!
Jul 1, 2024
Mar 21, 2024