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I feel like it gives you clarity. For example, I just watched Dunkirk, albeit on a plane, and I thought it was awful. Just the most boring, dull, dimensionless, dialogue-less, character-less (like we know nothing about the characters or their backstory, so why even care? They're all just cheap stale tropes) movie. After we landed, I checked online to see what people actually thought of it and was absolutely blown away to see it receive such high ratings and have so many people claiming it was the best nolan movie ever - and I like a lot of nolan's stuff, so I'm not just a hater. Anyway, I think part of it is just me getting old, but I like how the distance of not immediately consuming a piece of art can help you avoid getting swept up in the opinions of others - or I suppose it could also have the opposite effect and lead to your taste being completely tainted by the opinions of others. So the other key is to not have a good memory (conveniently a byproduct of getting older), that way you don't remember the opinions of others by the time you finally get around to watching it.

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this will be annoying but: Dunkirk can only be appreciated in IMAX. View it on any screen smaller than that and it really is reduced to a montage.
Mar 2, 2024
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lucius I hear ya, and I know this is a specific branch, approach, or philosophy of specific directors and films, and I am by no means a film connoisseur so I'm not going to comment on the validity of the film/tools and technology relationship, but for me personally a film should be able to stand up to scrutiny regardless of how its viewed (but I'm also partial to plot, characters, dialogue AND cinematography rather than just "shots"). Relying on a really big screen for me to feel positively towards something feels like some sort of wizard of oz parlor trick and very "inhuman".
Mar 2, 2024
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ruffianbandwidth I agree with your sentiment. I wouldn’t call it a good movie for that reason. But it’s a great IMAX experience. It is possible to be both. The best example of this is Dune.
Mar 2, 2024
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this is so relatable, i’ve definitely been there and was either disappointed like you and didn’t get the hype or was stoked to finally get in on the thing that everyone loved
Mar 2, 2024
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I really hate when people say “you should watch this, it’s so good”. Maybe it’s my natural oppositional defiance at play, but any time something gets hyped up, I want nothing to do with it. So I just finished watching Challengers, and yeah. It lives up to the hype. But I’m glad I came to that conclusion in my own terms, makes it easier to see a piece of work for what it is, without the influence of too many opinions.
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Mainstream stuff and overly hyped things can get overwhelming, sometimes really don’t work out. HOWEVER, recently went to see Wicked the movie. I waited until everything died down, chilled out and went in my own time. Which I would say is the best thing to do. I watched Wicked live in theatre YEARS AGO and it was spectacular. it’s true, the movie is incredible. This is a lesson to sometimes give in, 100% recommend waiting until the commotion has ended, people have chilled tf out and reviews have been finalised! Unless you like being in the crowd and chatting about it the time it’s released and being discussed worldwide - I don’t have care for that.
Jan 14, 2025
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There is something beautiful about figuring out these things on your own, even if it's wildly different from what the filmmaker intended
Mar 19, 2024

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I don't know how well this actually answers your initial question, I think it's more of a counterpoint to some of the stuff people have already said, but here it goes. In the past (prior to social media or search engines) specific styles, specialized knowledge, and niche awareness actually took effort. You had to go out into the world and find a scene, be accepted, participate in it, contribute to it, and learn from others with specific knowledge within the specific sub- or counter-cultural scene. It took time, effort, and experience to craft an identity. Nowadays people cycle through various identities and trends like commodities because it takes no effort (they're sold to them by social media algorithms, influencers, brand accounts, etc.). It comes to you in your phone without you ever even having to leave the house or put in the time to discover it or participate in it (you just follow specific people or subscribe). You can be a passive observer or consumer, not an active contributor. As a result, you're not invested or tied down and committed to that core identity. You can cosplay depending on your mood or who you want to momentarily convey yourself as, because it's easy. Essentially, being a poser has become normalized. An identity is now something to be momentarily consumed and affected, rather than grown, built, and developed over time. Granted, it's always been different in regards to "mass" culture and popular trends (both in the past and now). Those are impossible to miss and were always monopolized by specific trend setting institutions, but always by the time it gets to that point, the actual initial counter- or sub-culture that inspired it has already been coopted and has started to disintegrate under the weight and attention of mass consumption.
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Please enjoy my attempt(s) to fill the void. title: "pet; owner" medium: hair
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