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Love her novels (most recent one I read was Babysitter but I honestly never finished because it’s twisted it’s about the Oakland County Child Killer and you can tell she did her research… about to read 48 Clues into the Disappearance of My Sister) and her short stories but of all of her anthologies Haunted Tales of the Grotesque is my favorite and it lives up to its title…
Apr 16, 2024
Related Recs
The Doll-Maker and Other Tales of Horror, Black Dahlia and White Rose: Stories, The Corn Maiden and Other Nightmares. But my favorite which I’ve rec-ed before is Haunted: Tales of the Grotesque the titular story Haunted is so sick and twisted and I cry tears of fear every time I go back to read it (which I have multiple times). She has the most viscerally disturbing and discomfiting style and a unique ability to crawl under your skin, more so than any other horror author I’ve read and horror is not even typically her primary genre!!
Apr 20, 2024
Love her novels though they are lengthy but Joyce Carol Oates has a gift for writing disturbing short stories. Pictured are a few of her horror themed compilations and I would also recommend the classic story Where Are You Going, Where Have You Been, which was loosely adapted into the 1985 film Smooth Talk starring Laura Dern!
Sep 29, 2024
It’s a few short horror stories that all surround the same house in Cardiff, Maine. The third story made me cry so hard, I couldn’t get it out of my head 😅😿
Jan 20, 2025
Top Recs from @taterhole
My dad teases me about how when I was a little kid, my favorite thing to do when I was on the landline phone with somebody—be it a relative or one of my best friends—was to breathlessly describe the things that were in my bedroom so that they could have a mental picture of everything I loved and chose to surround myself with, and where I sat at that moment in time. Perfectly Imperfect reminds me of that so thanks for always listening and for sharing with me too 💌
Feb 23, 2025
Schedule sent my resignation email for the morning, effective immediately ✅💅
Feb 27, 2025
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I’ve been thinking about how much of social media is centered around curating our self-image. When selfies first became popular, they were dismissed as vain and vapid—a critique often rooted in misogyny—but now, the way we craft our online selves feels more like creating monuments.
We try to signal our individuality, hoping to be seen and understood, but ironically, I think this widens the gap between how others perceive us and who we really are. Instead of fostering connection, it can invite projection and misinterpretation—preconceived notions, prefab labels, and stereotypes. Worse, individuality has become branded and commodified, reducing our identities to products for others to consume.
On most platforms, validation often comes from how well you can curate and present your image—selfies, aesthetic branding, and lifestyle content tend to dominate. High engagement is tied to visibility, not necessarily depth or substance. But I think spaces like PI.FYI show that there’s another way: where connection is built on shared ideas, tastes, and interests rather than surface-level content. It’s refreshing to be part of a community that values thoughts over optics.
By sharing so few images of myself, I’ve found that it gives others room to focus on my ideas and voice. When I do share an image, it feels intentional—something that contributes to the story I want to tell rather than defining it. Sharing less allows me to express who I am beyond appearance.
For women, especially, sharing less can be a radical act in a world where the default is to objectify ourselves. It resists the pressure to center appearance, focusing instead on what truly matters: our thoughts, voices, and authenticity. I’ve posted a handful of pictures of myself in 2,500 posts because I care more about showing who I am than how I look.
In trying to be seen, are we making it harder for others to truly know us? It’s a question worth considering.
Dec 27, 2024