ok so this isn’t the most diverse list in terms of time period or filmmaker, but i’ve rewatched all of these at least 3 times (20th century women, 10+ times) and i think the four of them together say something about who i am as a person. all 4 are really good movies!!
Jul 25, 2024

Comments (0)

Make an account to reply.
No comments yet

Related Recs

recommendation image
🎥
i know i have sort of a narrow list, but these are all movies that i have and will continue to watch(ed) many times ! they’re great!
Nov 11, 2024
recommendation image
😃
it’s a recommendation from a film school best friend, and I feel like this film not only dissects womanhood, but also shows how a gay boy like me, being surrounded by women, felt so comfortable and warm :)
Apr 11, 2025
🎥
WARNING: potential spoilers as i list some of the movies’ major themes (from newest to oldest) - Mustang (dir. Deniz Gamze Ergüven, 2015): sisterhood, female liberation, bodily autonomy, sexuality, domestication, female solidarity, innocence     - 4 Months, 3 Weeks and 2 Days (dir. Cristian Mungiu, 2007): bodily autonomy, female friendships, female solidarity - Born In Flames (dir. Lizzie Borden, 1983): intersectionality with race, queerness, and class; female solidarity, white feminism, female liberation, rape culture  - House (dir. Nobuhiko Obayashi, 1977): the transition from girlhood to womanhood, female friendships, domestication, individualism, femininity as an ideal, mother-daughter relationships, innocence - 3 Women (dir. Robert Altman, 1977): individualism, domestication, motherhood, beauty standards and other societal expectations of women, the transition from girlhood to womanhood, innocence - One Sings, the Other Doesn’t (dir. Agnès Varda, 1977): impacts of second-wave feminist movement, bodily autonomy, female liberation, female solidarity - Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (dir. Chantal Akerman, 1975): individualism, family dynamics, domestication, bodily autonomy, objectification, female liberation  - A Woman Under the Influence (dir. John Cassavetes, 1974): intersectionality with class, sexuality, family dynamics, domestication, societal expectations of women - *Female Trouble (dir. John Waters 1974): intersectionality with queerness, sexuality, femininity, beauty standards and other societal expectations of women, mother-daughter relationships,  - Cléo from 5 to 7 (dir. Agnès Varda, 1962): objectification, the value of beauty, self-image, individualism  *i do not recommend this for those who may be sensitive to particularly triggering depictions of assault or abuse
Mar 28, 2024

Top Recs from @mirandapaige

recommendation image
ok so not my favorite but have been loving this ever since learning Yorgos Lanthimos apparently was inspired by this painting when coming up with bella baxter’s lewk for Poor Things — i love it !
Feb 3, 2024
🎧
it’s so fun it’s like a scavenger hunt to find good music that fits the vibe of each story !!
Feb 3, 2024
😃
not necessarily my favorite of all time or anything, but ever since reading her book Little Weirds I’m obsessed with all things Jenny — the special is really charismatic and sentimental and introspective while also being genuinely funny
Sep 23, 2024