My father is a wood, stone, reclaimed materials, and xeriscape artist and resents that heā€˜s subjected to the gaze of an audience if anything. I know with absolute certainty that he would feel compelled to create beautiful things even if he were the last man on earth, even if there were nothing left to build with. itā€™s the way he interfaces with the world! I think thatā€™s very common among the most humble working artists who really do it for their craft and itā€™s why theyā€™re able to be so prolific. Many of these artists donā€™t become known until after their deaths, if ever.
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Jan 17, 2025

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omg these are amazing, Iā€™ve never seen anything like it. Abstract woodwork is such a beautiful idea!
Jan 17, 2025
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sniffle you can check him out here but donā€™t tell him I sent you ;) the most interesting thing to me about his work is that he canā€™t even articulate exactly how he came to a lot of his techniques because theyā€™re just intuitive to him itā€™s pretty crazyā€¦
Jan 17, 2025

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šŸ§Š
ā€œartā€, media, whatever you create you create as a mode of expression first and foremost (which, imo, is why we all have a semi-innate distaste for work that feels derivative, disingenuous, or commerce-oriented claiming to be art.) i think the arts landscape we find ourselves in (and the postmodernism of it all) incentivizes art that inspires dialogue, that is meant to captivate an audience and ideally a large one in both the fine arts and pop art arenas, and so we often congregate to forms like moving image, and other easily disseminated, easily digestible forms to express what is capable of being expressed through a variety of forms if no one was there to receive our art we would still express ourselves. people expressed themselves before we had comms tech enabling immediate, mass dissemination. per meagre_graemeā€™s rec, forms with an emphasis on utility such as cuisine, materials work, etc. would certainly be viable and more ā€œoptimalā€ modes of expression, but writing would not go anywhere. photography would not go anywhere. the means by which people who do not consider themselves ā€œartistsā€ express themselves and use their creative faculties to capture and romanticize their lives would become the means by which weā€™d all express ourselves in the absence of an audienceā€¦ so per taterholeā€¦ does the audience even matter?
Jan 17, 2025
šŸ‘Ø
Building lore is crucial in this day and age. Sometimes not getting your picture taken at the function is ok. Refrain from posting banalities on your story when possible. Exercise deconstructive maximalism. Being an artist rather than an ā€œArtistā€ is back, if you catch my drift.
Feb 22, 2023
šŸ¤Ø
i make things as a hobby, whether it be bits of music, awful drawings, writing, whatever, and i find that i work best after admiring othersā€™ art. maybe it inspires me, maybe itā€™s just how things work in my head, but i feel that art, or any sort of creation, comes from creation, and so, itā€˜s ALRIGHT to use something else as a reference point, or rather, consume something before you create!! i like just sitting with something for a while, eventually something pops into my mind and gets my thoughts going. sitting with an instrument and messing around makes it easier to make something up, or scribbling makes it easier to think of what to draw. also, doing whatā€™s best for you, whether that be taking ages to come up with an idea, and even longer to see it through, or making lots in a small amount of time. YOU do whatever is best for YOU, and probably your sanity. just generally loll have a lovely day slayyyy šŸ’•
Oct 29, 2024

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šŸ§ø
My dad teases me about how when I was a little kid, my favorite thing to do when I was on the landline phone with somebodyā€”be it a relative or one of my best friendsā€”was to breathlessly describe the things that were in my bedroom so that they could have a mental picture of everything I loved and chose to surround myself with, and where I sat at that moment in time. Perfectly Imperfect reminds me of that so thanks for always listening and for sharing with me too šŸ’Œ
Feb 23, 2025
šŸ–
Iā€™ve been thinking about how much of social media is centered around curating our self-image. When selfies first became popular, they were dismissed as vain and vapidā€”a critique often rooted in misogynyā€”but now, the way we craft our online selves feels more like creating monuments. We try to signal our individuality, hoping to be seen and understood, but ironically, I think this widens the gap between how others perceive us and who we really are. Instead of fostering connection, it can invite projection and misinterpretationā€”preconceived notions, prefab labels, and stereotypes. Worse, individuality has become branded and commodified, reducing our identities to products for others to consume. On most platforms, validation often comes from how well you can curate and present your imageā€”selfies, aesthetic branding, and lifestyle content tend to dominate. High engagement is tied to visibility, not necessarily depth or substance. But I think spaces like PI.FYI show that thereā€™s another way: where connection is built on shared ideas, tastes, and interests rather than surface-level content. Itā€™s refreshing to be part of a community that values thoughts over optics. By sharing so few images of myself, Iā€™ve found that it gives others room to focus on my ideas and voice. When I do share an image, it feels intentionalā€”something that contributes to the story I want to tell rather than defining it. Sharing less allows me to express who I am beyond appearance. For women, especially, sharing less can be a radical act in a world where the default is to objectify ourselves. It resists the pressure to center appearance, focusing instead on what truly matters: our thoughts, voices, and authenticity. Iā€™ve posted a handful of pictures of myself in 2,500 posts because I care more about showing who I am than how I look. In trying to be seen, are we making it harder for others to truly know us? Itā€™s a question worth considering.
Dec 27, 2024