A mostly lighthearted comedy-drama about a family in 1973 Bedstuy Brooklyn just tryna get through life and make ends meet. The momā€™s basically the only one tryna wrangle a whole house of rascal kids while the dad stays in the aspiring musician realm, unwilling to get a stable job to pay the bills. Lots of fun eccentric characters and happenings, not really a plot or anything, itā€™s just catching the vibe and spending time with this family. Great authentic style, great music, great acting. Doesnā€™t get depressing till the last 30 mins or so. Based on Spike Leeā€™s upbringing with his brothers and sisters (I think they helped him write it too).
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Feb 25, 2025

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omg i will have to watch! :)
Feb 26, 2025
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marxinista Yeah, there are a whole bunch of 70ā€™s set-piece ones I could recommend, but you said it canā€™t be depressing, so I think this one mostly covers it. Barely even PG-13 besides some cussing and druggies sniffing glue.
Feb 26, 2025

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If youā€™re ever in a spike lee mood watch clockers itā€™s a good Brooklyn based film inspired off of the novel. Probably one of my favorite flicks to watch especially on a rainy day.
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As far as material for satire goes, the literary world is pretty low-hanging fruit, perhaps only bested by fine art collecting. Still, when the jokes are as on point as they are inĀ American Fiction, it can make for very satisfying viewing. Writer / director Cord Jefferson (who has previously written forĀ The Good Place,Ā Watchmen, andĀ Station Eleven) does an excellent job of capturing the essence of Percival Everettā€™s novelĀ Erasure, the experimental structure of which would make a successful adaptation seem unlikely. Author and professor Thelonious ā€œMonkā€ Ellison (Jeffrey Wright, eminently watchable as always) is known for writing acclaimed but poor-selling novels and is growing frustrated by the lack of interest in his latest effort from publishers, who dismiss it for not being ā€œblack enoughā€. On top of that, he finds himself placed on leave from his university and then dealing with a series of crises with his family. One bright spot emerges however when a chance encounter with neighbor Coraline (a charming Erika Alexander) promises to develop into something more. One night after a few drinks, Monk knocks out what he intends to be a satire of the stereotypical ā€œBlackā€ novels the public seems to want featuring high melodrama, broken families, gang violence, and written in an over-the-top ā€œghettoā€ vernacular. His agent reluctantly agrees to send it to a few publishing houses under the pseudonym Stagg R. Leigh, allegedly a former convict, and much to their surprise he is promptly offered $750,000 for the book. In need of the money, he accepts and plays along with the ruse, occasionally even playing the role in person, but he canā€™t help but feel guilt for selling out himself and his people, and so makes attempts to sabotage the whole deal and risks damaging some personal relationships along the way. The movie oscillates between being a razor-shop literary satire and a family dramedy in the vein ofĀ Somethingā€™s Gotta GiveĀ orĀ As Good As It Gets, to surprisingly enjoyable effect. Tracee Ellis Ross, Sterling K. Brown, Leslie Uggams, and Myra Lucretia Taylor delight as Monkā€™s sister, brother, mother, and long-time family housekeeper respectively, with the group displaying a genuine chemistry in their scenes together. Likewise, the budding romance with Coraline feels natural and comfortable. Itā€™s when it takes its claws out though thatĀ American FictionĀ really rises above. Anyone who follows the book world will instantly recognize what Jefferson and Everett are targeting here and will find themselves laughing out loud at every bullseye hit. It isnā€™t the flashiest movie, but itā€™s a clever and engaging look at a specific part of American culture that never forgets to entertain its audience. ā˜…ā˜…ā˜…ā˜… RATED R FOR LANGUAGE THROUGHOUT, SOME DRUG USE, SEXUAL REFERENCES, AND BRIEF VIOLENCE.
Feb 22, 2024
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Bruh I am completely obsessed with this movie. You can find it on netflix. This is like KIDS meets Bridge to Terabithia but for grimey punk-Latinos with extra swag in their cup. Number one: their fucking style. I havent seen this much swag in a movie ever in my life. The music, the fashion, the dancing, the graffiti, the way they speak, the HAIR. Its just oozing and exploding with ineffable "i dont give a fuck" - ness. Literally no other thing ive ever seen can relate to the swag in this movie. There's just style everywhere. Your boyfriend (or girlfriend or nongenderconformingpartner) will never be this cool in their life. Number two: alt-mexican culture. I love mexican culture to begin with. I'm costa rican, and a lot of costa rican culture is influenced by mexican style music and way of dress, so immediately the classical influences resonate like catholic religious imagery and bright colors. On top of that, i am also Colombian and they are pulling and remixing Colombian cumbia but in a really special way. In monterrey mexico, colombian cumbia had such a deep impact on their community that they started calling themselves Kolombianos. Like an homage to the colombian culture that influenced their lives in music, fashion, and self expression. Additionally, they're pulling inspo from american cholo culture from like Houston and Cali. Baggy clothes, football jerseys, chuck taylors, bandanas. Its like a blend of so many different FLY cultures that melted together there in Monterrey, MX. puro simbolo star, loco. Number three: the story they tell. This movie highlights the experience of one young man as he experienced life at 17 years old. Without spoiling too much of the movie, we navigate themes of violence, immigration, societal outcasting, and a coming of age. Its truly a beautiful watch. Please watch this (twice). Thank god for punk-latinos.
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