This is the one that pulled me into Carver’s world for good. As much about death as about love. “Why Don’t You Dance?” and the title story are sublime. For grown ups.
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Apr 20, 2024

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Carver’s prose is almost more akin to a painting than most stories. Reading this collection felt like peeking through a series of windows I wasn't meant to peek through, an act of eavesdropping on an intimate moment between strangers. He captures snippets of humanity in a way that makes his characters so familiar, despite often knowing nothing about them outside what is happening in that moment. Each story is an illustration of a relationship between people, the way a great painting can be. It’s how I imagine being on the New Jersey Turnpike would be if I could hear the conversations inside the other cars.
Mar 8, 2023
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Hands down, one of the funniest and oddly touching collections I have ever read. The titular story is one I think about often and recommend frequently.
Aug 4, 2024
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I find his stories pretty great

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Hey tyler hopefully this doesn’t violate some PI.FYI golden rule But after nearly two years of writing, editing and arguing, my book about the EP is coming out in May and can be preordered here: https://hozacrecords.com/product/aifl/ The book is about the origins, history and cultural impact of the EP since these little objects first started coming out in the 50s. Over 50 of my music biz friends then helped me shape the list and review the top 200 ever released, according to us (ha). For those of you who are into this kind of geekery/snobbery, I can’t wait to hear what you think. A labor of love, as all books are! ❀
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I will fail to explain just how much this band meant to me in the 90s. So I will borrow from AV Club who did a fine job of distilling it: “Unwound is the best band of the ’90s. Not just because of how prolific, consistent, and uncompromising it was, but because of how perfectly Unwound nested in a unique space between some of the most vital forms of music that decade: punk, post-rock, indie rock, post-hardcore, slow-core, and experimental noise. That jumble of subgenres doesn’t say much; in fact, it falls far short of what Unwound truly synthesized and stood for. Unwound stood for Unwound. But in a decade where most bands were either stridently earnest or stridently ironic, Unwound wasn’t stridently anything. It was only itself. In one sense Unwound was the quietest band of the ’90s, skulking around like a nerdy terror cell. In another sense it was the loudest, sculpting raw noise into contorted visions of inner turmoil and frustration.” R.I.P. Vern Rumsey. This is their finest song, from their finest album. I really can’t say enough about the sheer bloody minded genius of this group. đŸ–€
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