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The station and its music directors have a pretty broad interpretation of "goth." For sure, artists like the Cure, Skinny Puppy, Southern Death Cult (aka "The Cult" as they would eventually be called). Bauhaus, as linked here. Kinda like Halloween programming. But also songs of death and murder from artists like Leadbelly, Carter Family and Charley Patton ("Oh Death"). Enjoy. :)
May 22, 2024

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This perfect band (aesthetically, sonically, historically) epitomizes what I call Lounge Goth, an underrated fusion. The first time Danny ever talked to me, it was at a party called FIST (Fun Is Still Transgressive) and it was because I was wearing a MLWTTKK shirt. I would say if you know you know, because somehow everyone looks confused when I bring up this group (“Kooler Than Jesus”? “A Daisy Chain 4 Satan”? Anyone??), but they were a live act in The Crow and featured on the soundtracks for Cool World and Showgirls so, I mean, come on.
Sep 22, 2023
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The only definitive feature of being goth is liking goth music and the only definitive feature of goth music is being music goths like. I went to a goth wedding this past Halloween and they hit us with a tasteful and crowd pleasing range including the Cramps, the Cure, Depeche Mode, and the Monster Mash. Maybe the only other relevant component of being goth is arguing about what music is and isn’t goth. It’s built-in conversation to engage new friends at the gay bar‘s goth night you bravely attend alone. A couple years into your goth conversion and your clothes have an effortless harmony (they all match), you stand a couple inches taller (big shoes), and you know the delirious joy of a dark smoke filled room packed with people singing and dancing and kissing and doing erotic aerial hoop performances to Boys Don’t Cry at 2 in the morning.
Nov 20, 2024

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Hey tyler hopefully this doesn’t violate some PI.FYI golden rule But after nearly two years of writing, editing and arguing, my book about the EP is coming out in May and can be preordered here: https://hozacrecords.com/product/aifl/ The book is about the origins, history and cultural impact of the EP since these little objects first started coming out in the 50s. Over 50 of my music biz friends then helped me shape the list and review the top 200 ever released, according to us (ha). For those of you who are into this kind of geekery/snobbery, I can’t wait to hear what you think. A labor of love, as all books are! ❤️
Mar 27, 2024
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I will fail to explain just how much this band meant to me in the 90s. So I will borrow from AV Club who did a fine job of distilling it: “Unwound is the best band of the ’90s. Not just because of how prolific, consistent, and uncompromising it was, but because of how perfectly Unwound nested in a unique space between some of the most vital forms of music that decade: punk, post-rock, indie rock, post-hardcore, slow-core, and experimental noise. That jumble of subgenres doesn’t say much; in fact, it falls far short of what Unwound truly synthesized and stood for. Unwound stood for Unwound. But in a decade where most bands were either stridently earnest or stridently ironic, Unwound wasn’t stridently anything. It was only itself. In one sense Unwound was the quietest band of the ’90s, skulking around like a nerdy terror cell. In another sense it was the loudest, sculpting raw noise into contorted visions of inner turmoil and frustration.” R.I.P. Vern Rumsey. This is their finest song, from their finest album. I really can’t say enough about the sheer bloody minded genius of this group. 🖤
Mar 23, 2024